“…-point-based approaches [8,50,57,58] define semi free-form features from a set of key points which often directly correspond to the control points of the underlying Bézier patches;…”
Section: Free-form Features -A Promising Way To the Modeling Of Free-mentioning
is an open access repository that collects the work of Arts et Métiers ParisTech researchers and makes it freely available over the web where possible.This is an author-deposited version published in: http://sam.ensam.eu Handle
“…-point-based approaches [8,50,57,58] define semi free-form features from a set of key points which often directly correspond to the control points of the underlying Bézier patches;…”
Section: Free-form Features -A Promising Way To the Modeling Of Free-mentioning
is an open access repository that collects the work of Arts et Métiers ParisTech researchers and makes it freely available over the web where possible.This is an author-deposited version published in: http://sam.ensam.eu Handle
“…1. Human body modeling and segmentation with semantic features [6,7] (courtesy of Prof. Matthew Yuen). edge and face on the human model and can also draw free-form curves on the human model as well as on the garment.…”
Section: D Garment Design and Modification On Human Modelmentioning
confidence: 99%
“…Human body is a typical sculptured object. A semantic-oriented feature model technique based on formal languages is proposed in [7] for sculptured objects. As shown in Fig.…”
“…Some attempts to bring this concept into the free-form surface domain-where shape is very complex and analytic surfaces are not sufficient anymore to represent it-have been carried out [9][10][11][12][13][14][15]. A limit of most of these approaches is that they focus on a restricted set of features and try to define features without starting from a rigorous classification.…”
is an open access repository that collects the work of Arts et Métiers ParisTech researchers and makes it freely available over the web where possible.
AbstractThis paper addresses the designers' activity and in particular the way designers express an object shape in 2D sketches through character lines and how these lines form a basis for sketching shapes in 3D. The tools currently available in commercial CAS/CAD systems to manipulate the digital models are still not sufficiently suited to support design. In this paper, the so-called fully free-form deformation features (d-F 4 ) are introduced as a modelling method to take into account the curve-oriented stylists' way of working. Both the advantages of a free-form surface deformation method and a feature-based approach are merged to define these high-level modelling entities allowing for a direct manipulation of surfaces through a limited number of intuitive parameters. Such features incorporate several characteristics designed to handle the uncertainties and/or inconsistencies of the designer's input during a sketching activity. In addition, a d-F 4 classification is proposed to enable a fast access to the desired shape according to its semantics and characteristics.
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