A taxonomy of visualization strategies for cultural heritage applications

Abstract

In this article we present a general classification of the different approaches that might be employed to constitute a visual representation of a cultural heritage item, including the ones featuring the use of traditional tools as the ones exhibiting the inclusion of modern 2D and 3D digital technologies. In order to establish a coherent taxonomy, specific elements characterizing such approaches will be discussed and employed to assist the definition of a general conceptual framework that will enable the classification of the possible design choices according to their specific characteristics. Finally, a selection of modeling and simulation techniques which are specifically related to the creation process underlying the virtual representation of heritage items by means of modern visualization technologies will be explored alongside the main areas of preferences linked to the major actors active in the cultural heritage field.

Future Research Challenges for a Computer-Based Interpretative 3D Reconstruction of Cultural Heritage - A German Community's View

“…An international science community has been shaped by actors from Southern Europe, Great Britain and the US. It mainly comprises perspectives on archaeology and cultural heritage conservation (European Commission, 2011;Foni et al, 2010;Münster et al, in print). A multiplicity of actors from science, economy and education deal with the topic of digital reconstruction in the German-speaking area.…”

A conceptual framework for audio-visual museum media

“…Though focusing on parameters of the technological classifications, the article, in which the complex model was presented, showed that the four dimensions had different value to people, depending on their role. It demonstrated that 'content consumers' (audience) saw visual consistency as a necessity, and precision as an option, whereas automatism and interactivity was deemed unnecessary, while 'content holders' (historians and archaeologists) on the contrary valued precision over optional visual consistency and the unnecessary automatism [37]. Not only this roledependant evaluation of audio-visual media describes its status in museums.…”

Taxonomy of User Intention and Benefits of Visualization for Financial and Accounting Data Analysis

“…Liu [14] mentioned the mental models for visual reasoning and interaction, which links the interactive representation with the mental models and external visualization. There are proposed many other taxonomies with its own classification method, and they all aim at visualization in specific areas of application, such as medicine, history [11], finance [1], etc. There is even a "periodic system of visualization methods" which pretended to be the basic concentrated concept of successfully used methods for data visualization until now.…”