2019
DOI: 10.15858/engtea.74.4.201912.51
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A Theoretical Analysis of How Critical Literacy May Support the Progressive Goals of the Korean National Curriculum

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Cited by 2 publications
(7 citation statements)
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“…The critical quality of a literacy event can be analyzed by identifying the sign relationships as icons, indexes, and symbols, and using these relationships to juxtapose signs in ways that intentionally take up for critique the underlying interpretants. Thus, the practice of critical literacy conforms to the current Korean Ministry of Education's English Curriculum in that it encourages communication between teachers and students, promotes critical thinking, seeks the situating of knowledge to context, and promotes the creativity of thought and action (Pederson, 2019).…”
Section: Semiosis Within Critical Literacy Practicesmentioning
confidence: 97%
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“…The critical quality of a literacy event can be analyzed by identifying the sign relationships as icons, indexes, and symbols, and using these relationships to juxtapose signs in ways that intentionally take up for critique the underlying interpretants. Thus, the practice of critical literacy conforms to the current Korean Ministry of Education's English Curriculum in that it encourages communication between teachers and students, promotes critical thinking, seeks the situating of knowledge to context, and promotes the creativity of thought and action (Pederson, 2019).…”
Section: Semiosis Within Critical Literacy Practicesmentioning
confidence: 97%
“…This compulsion towards convention in dyadic literacy is perhaps even more evident in EFL practices as the use of standardized forms of English and the meritocracy of high-stakes testing dominates EFL curricula in Korea and other Asian nations (Pederson, 2019;Shin, 2010;Stein & Newfield, 2006). This autonomous from of literacy tends to stifle critical thinking and limit a greater understanding of the creative potentials of language use and interpretation (Street, 1984), as well as limiting a greater understanding of the target culture (Shin, 2010).…”
Section: Sign >>>>>>>>>>>>> Objectmentioning
confidence: 99%
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