2016
DOI: 10.1177/1367877916682085
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A virtual gender asylum? The social media profile picture, young Chinese women’s self-empowerment, and the emergence of a Chinese digital feminism

Abstract: This article applies the framework of critical discourse analysis to the in-depth interviews of 73 young Chinese women residing in Beijing, Shanghai and Guangzhou. It examines their discursive practices of choosing and editing their profile pictures on social media, which is in turn placed in the unique sociocultural context of contemporary China for interpretation. This article argues that Chinese women’s self-empowerment through using social media is derived not from a straightforward struggle against the pa… Show more

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Cited by 47 publications
(14 citation statements)
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“…Following the developments in the application of CDA on digital media, there has been a critical reminder that CDA is also about analysing the intersection of discourse and power relations in the context of ordinary citizens' everyday social media use (Bouvier and Machin 2018) or what KhosraviNik (2017) terms as digitally mediated, bottom-up discourse. This argument has been used to explore various forms of discursive power exercise reflected in Chinese digital cultures (Chang, Ren, and Yang 2018;Huang 2020;Peng 2020b). Following Fairclough's (2003) scholarship, the exercise of power through language use involves mobilising available communicative resources to "evoke a particular persona, construct relationships, and define situations" (Guo 2019, 333).…”
Section: A Critical Discourse Analysis Approachmentioning
confidence: 99%
“…Following the developments in the application of CDA on digital media, there has been a critical reminder that CDA is also about analysing the intersection of discourse and power relations in the context of ordinary citizens' everyday social media use (Bouvier and Machin 2018) or what KhosraviNik (2017) terms as digitally mediated, bottom-up discourse. This argument has been used to explore various forms of discursive power exercise reflected in Chinese digital cultures (Chang, Ren, and Yang 2018;Huang 2020;Peng 2020b). Following Fairclough's (2003) scholarship, the exercise of power through language use involves mobilising available communicative resources to "evoke a particular persona, construct relationships, and define situations" (Guo 2019, 333).…”
Section: A Critical Discourse Analysis Approachmentioning
confidence: 99%
“…As a platform for self-display, WeChat has contributed prominently to the gender consciousness of contemporary women in China, enabling them to articulate Confucianist ideals with feminist sensibilities in everyday life. They can thereby explore possibilities for establishing a new collective identity that is politicized through the active use of digital technologies (Chang & Tian, 2020;Chang, Ren, & Yang, 2018). For female immigrants, however, their uncertain and shaky identities posed a serious obstacle in adapting to host societies and cultures.…”
Section: Identity Reaffirmation Through Self-displaymentioning
confidence: 99%
“…The strong consumerism in contemporary China, which targets the young females as main customers, also boosts their confidence and pushes their desire to express themselves. In short, these urban daughters are the driving force behind the rise of 'digital feminism' (Chang, et al 2018) in China. By using social media as the main platform of fighting, these young females have campaigned for a wide range of causes (Han, 2018).…”
Section: Literature Review: Carceral Feminism and Populist Authoritarianismmentioning
confidence: 99%