Aboriginal music on Cape York

Moyle, Alice M.

doi:10.1080/08145857.1969.10414983

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Indigenous Value Of Artifacts1

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1981

2013

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“…9 In addition to 9. Later, in 1966, Alice Moyle (1968, 1972 recorded songs at Yarrabah that refer to totems that McConnel had recorded in stories, and in the designs on the artifacts she had collected. Moreover, some of Moyle's recordings were also enacted in dance:…”

Section: Indigenous Value Of Artifactsmentioning

confidence: 99%

Ethnographic artifacts and value transformations

Henry

Otto

Wood

2013

HAU: Journal of Ethnographic Theory

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Transactions of ethnographic artifacts between Indigenous producers, European collectors, museums, and the state create and transform multiple notions of value. In this paper we discuss how an artifact's value is generated and transformed through various transactions linked to the documentation and property claims made by scientific collectors, such as Eric Mjöberg, Herman Klaatsch, and Ursula McConnel. Such artifacts have now entered a new dynamic given Aboriginal claims for repatriation and other forms of reappropriation. We argue that the entanglement of artifacts in the property claims of the collectors, the producers (or their descendants), the granting bodies, and the public institutions, exposes artifacts to complex processes of value accretion and transformation.

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Section: Indigenous Value Of Artifactsmentioning

confidence: 99%