2016
DOI: 10.1017/s1355771816000212
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Acousmatic Foley: Staging sound-fiction

Abstract: This article proposes a narrative theory thought in terms that are specific to sound practice. It addresses two different fields – Acousmatic Music and Foley Art – as a possibility of understanding sound narration and conceptualising it around the idea of fiction. To this end, it begins from the concepts of sound-motif, sound-prop and sound-actors, in order to propose a dramaturgic practice specific to sound terms.The theory of sound dramaturgy acquires a practical outline by making use of multichannel constel… Show more

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Cited by 6 publications
(2 citation statements)
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“…Three core sound elements of footsteps, prop handling, and cloth are typically performed [18][19][20]. Foley, being diegetic in nature, can be considered to play a part in allowing an audience to comprehend the actions and characters in a scene and therefore contribute to a narrative, although the source or object used to create the sound may be different to that depicted in a process of "sound-acting" [21]. Foley work is a nuanced, performative activity, and expressiveness is considered an important part of a Foley artist's experience [22].…”
Section: Foley Artistrymentioning
confidence: 99%
“…Three core sound elements of footsteps, prop handling, and cloth are typically performed [18][19][20]. Foley, being diegetic in nature, can be considered to play a part in allowing an audience to comprehend the actions and characters in a scene and therefore contribute to a narrative, although the source or object used to create the sound may be different to that depicted in a process of "sound-acting" [21]. Foley work is a nuanced, performative activity, and expressiveness is considered an important part of a Foley artist's experience [22].…”
Section: Foley Artistrymentioning
confidence: 99%
“…Foley, being diegetic in nature, can be considered to play a part in allowing an audience to comprehend the actions and characters in a scene and therefore contribute to a narrative, although the source or object used to create the sound may be different to that depicted in a process of "sound-acting" [26].…”
Section: Background and Related Work 21 Foley Artistrymentioning
confidence: 99%