2000
DOI: 10.1006/jsvi.1999.2988
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Acoustic Coupling Effects in St Paul's Cathedral, London

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Cited by 40 publications
(43 citation statements)
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“…), should be used in addition to the others already mentioned, when the church is characterized by parts (such as transepts and side chapels) which may reasonably behave as coupled volumes [14] or which may be used independently (i.e. to celebrate daily masses, for choir performance or rehearsals).…”
Section: Source Positionsmentioning
confidence: 99%
“…), should be used in addition to the others already mentioned, when the church is characterized by parts (such as transepts and side chapels) which may reasonably behave as coupled volumes [14] or which may be used independently (i.e. to celebrate daily masses, for choir performance or rehearsals).…”
Section: Source Positionsmentioning
confidence: 99%
“…That objective is difficult to achieve, especially in large interiors. Hence, numerous publications present global research on selected interiors of that kind (Anderson et al, 1985;Doelle, 1972;Fearn, 1975;Giulianini et al, 1985;Klepper, 1995;Lewers et al, 1984;Raes et al, 1953). Such publications often serve as a signpost for authors who undertake further work of a similar nature in their countries (Engel et al, 1992;Sankiewicz, 1980).…”
Section: Acoustics Of Temple Interiorsmentioning
confidence: 99%
“…Acoustical properties of coupled rooms have long been investigated in the context of architectural acoustics [1][2][3][4] because several closed spaces actually consist of smaller partial rooms which are coupled together. The orchestra pit and balconies in opera houses or theatres coupled to the main floor as well as churches with several naves and chapels are typical examples of architectural objects having a structure of coupled rooms.…”
Section: Introductionmentioning
confidence: 99%