Abstract:understands these institutions as caught up in a temporal dilemma: being at the same time sites for the negotiation of contemporary identity politics and the recognition of colonial pasts, while remaining caught up in a paradoxical anachronism. "What, then, constitutes the contemporary at a time of anachronism?", he asks, prodding at the fraught relation between contemporary art, modernism, and post-modernism to think of a possible anthropology of the contemporary.
Note1. We also do not intend to associate the… Show more
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