“…Even when a formant ensemble is configured such that the physical exclusion of one formant changes one intelligible stimulus (/ru/) into another (/li/), introducing a difference in F0 of nine semitones between that formant and the others is not sufficient to eliminate the /ru/ percept (Darwin, 1981;Gardner et al, 1989). Furthermore, under competitive conditions, there are circumstances in which listeners fail to combine formants with shared acoustic source properties and to exclude extraneous formants with radically mismatched source propertiesnotably, when all the target formants are sine-wave analogues and the extraneous formant is rendered as a buzz-excited resonance Summers et al, 2016;see below). Some researchers have appealed to a speech-specific notion of phonetic coherence based on the plausibility of the articulatory gestures implied by the time-varying properties of formants in an ensemble rather than on general-purpose grouping cues (see, e.g., Liberman, 1982;Mann and Liberman, 1983;Remez et al, 1994;Remez, 2001Remez, , 2003Remez, , 2005, but to our knowledge this concept has never been clearly defined acoustically.…”