2011
DOI: 10.1162/dram_a_00124
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Acts of Presence: Performance, Mediation, Virtual Reality

Abstract: The Acts of Presence: Performing Presence CAVE Scenarios DVD-ROM accompanies this article. Presence is central to the operation of immersive virtual reality facilities. These VR technologies explore how phenomena of presence are performed, mediated, and experienced by individual participants, defining questions in computer science that can be advanced through performance theory, while offering new ways of thinking around liveness and mediation.

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Cited by 12 publications
(2 citation statements)
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“…Pioneering scholars of the interface between immersive theatre and live art, Gabriella Giannachi and Nick Kaye (2011) explore the issues of presence within VR, through collaborative experiments with theatre practitioners, using the immersive environment of a CAVE (Computer Automatic Virtual Environment) set up, using a SGI (Silicon Graphics Incorporated) computer systems, developed by Professor Mel Slater at University College London. The CAVE project developed by Kaye and Giannachi involves studying a cube of projected interactive images that simulate 3D experience and the interplay of real bodies performing within this cube and the telepresence of the bodies in VR.…”
Section: Audience Feedback Cut Up Poemmentioning
confidence: 99%
“…Pioneering scholars of the interface between immersive theatre and live art, Gabriella Giannachi and Nick Kaye (2011) explore the issues of presence within VR, through collaborative experiments with theatre practitioners, using the immersive environment of a CAVE (Computer Automatic Virtual Environment) set up, using a SGI (Silicon Graphics Incorporated) computer systems, developed by Professor Mel Slater at University College London. The CAVE project developed by Kaye and Giannachi involves studying a cube of projected interactive images that simulate 3D experience and the interplay of real bodies performing within this cube and the telepresence of the bodies in VR.…”
Section: Audience Feedback Cut Up Poemmentioning
confidence: 99%
“…Dans le cadre des Performance Studies et des Critical Dance Studies, André Lepecki propose une manière différente de considérer le rapport entre art et philosophie (Lepecki, 2006, p. 5) en soulignant l'écart entre corps et présence mis en abîme, notamment en Europe, par une nouvelle génération de chorégraphes et performeurs (Lepecki, 2004;Lepecki apud Carter, 2004 Giannachi, 2011;Pitozzi, 2014) et également du politique par les biais de la composition. Ce faisant, selon Lepecki, ces oeuvres chorégraphiques exposeraient ou déjoueraient les modèles normatifs par lesquels le dispositif chorégraphique est lié à la production de la subjectivité normée à l'ère moderne, l'"être-vers-le-mouvement" (Lepecki, 2006, p. 43).…”
Section: Faire Défaire Repenser La Présence: Modernisme Et Scènes Aunclassified