Aesthetic and Space Concept of Visual Composition in Interior and Architecture of <i>Bali Madya</i> Dwelling

Remawa, Anak Agung Gede Rai; Santosa, Imam; Zaman, Biranul Anas

doi:10.5840/cultura201310219

Cited by 3 publications

(5 citation statements)

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“…The larger the scope of work, the more actors are involved both in terms of specific types and quantity. These actors are Sulinggih (high priest), Pemangku (lay priest), Sangging/Juru (artisan/craftsmen) and Tukang (builder) (Remawa, Santosa & Zaman, 2013;Arthana, Rachmawati & Prijotomo, 2018).…”

Section: Review Of Literaturementioning

confidence: 99%

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Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

Dwi Noorwatha,

Santosa,

Prasetyo Adhitama

et al. 2024

ISVS

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This research examines the Balinese undagi vernacular design method called ngundaginin as an inspiration and reinforcement of contemporary designers' understanding of vernacular design as a process and relationship between the designer and the design object. It thus formulates a design method that can be employd by the Balinese Undagithe traditional architect of Bali vernacular architecture, namely ngundaginin, to preserve the authentic Balinese vernacular architecture through his practice. Undagi is a Balinese vernacular architect whose existence has been recorded since 882 AD and whose condition is getting decadent.The research uses a multidisciplinary systematic literature survey that qualitatively analyses academic records and traditional manuscripts on the design-built stages of Balinese vernacular architecture performed by Undagi. The results are analyzed through the lexicometric method to find the same terms from various works of literature with a diversity of terms in the ngundaginin stage. The literature data is then triangulated and reorganized to get a general pattern of the ngundaginin method. The triangulation process uses traditional scriptural sources (lontar), academics interviews, and contemporary Undagi to understand the vernacular architectural design process in the field textually and practically.The findings rveal that Balinese vernacular architecture symbolizes cosmic beings that will coexist harmoniously with their inhabitants. They show that the ngundaginin method as the design built stage of Balinese Undagi in designing vernacular architecture in Bali consists of three main stages: preconstruction, construction, and post-construction. The ngundaginin method shows the correlation between the Undagi's worldview in Bali vernacular architecture as the final result of their design.

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Section: Review Of Literaturementioning

confidence: 99%

“…The execution of the measurement and design process is then delegated to the Sangging, who constructs the building frame (Dwijendra & Adhika, 2022). Prior to installation at the construction site, Undagi performs a comprehensive evaluation of the entire building frame to ensure its suitability (Remawa, Santosa & Zaman, 2013).…”

Section: Legendmentioning

confidence: 99%

Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

Dwi Noorwatha,

Santosa,

Prasetyo Adhitama

et al. 2024

ISVS

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“…The construction process involves the collaborative efforts of several key individuals, including sulinggih (priests or religious leaders), pemangku (ceremonial leaders), undagi (architects/designers/master builders), sangging/juru (artisans), and tukang (builders) [58]. In this collaborative process, the role of the undagi is crucial, serving as both a regulator and supervisor.…”

Section: Undagi's Tacit Knowledgementioning

confidence: 99%

Preserving traditional Balinese architecture: exploring the relevance of undagi’s indigenous knowledge in post-pandemic interior design

Dwi Noorwatha,

Santosa

2023

Dewa Ruci J. Pengkaj. dan Pencipta. Seni.

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This research is focused on exploring the relevance of undagi’s indigenous knowledge implemented on post-pandemic interior design as a recommendation for preserving traditional Balinese architecture in the modern era. As UNESCO promoted safeguarding the "Intangible Cultural Heritage" in 2003, all designers must strengthen the cultural side in still relevant designs for the modern era. In Bali, undagi’s (traditional architect) existence declined in the modern era. Undagi’s indigenous knowledge is the basis for the architectural development of traditional Balinese houses (umah) for designing tourism facilities as research objects. This research is a desk study with a critical analytical approach that qualitatively conducts a comparative study between indigenous knowledge and post-pandemic interior design recommendations with two stages of research—in the first stage, critically analyzing post-pandemic interior design recommendations by previous researchers with a systemic literature review. In the second stage, exploring undagi’s indigenous knowledge consists of explicit and tacit knowledge. The result of the two stages is the formulation of the relevance of undagi’s indigenous knowledge in post-pandemic interior design in Bali. The study results show that the undagi’s indigenous knowledge has relevance, which aligns with the recommendations for post-pandemic interior design criteria by previous researchers. This relevance is closely relevant, and several relevant values require development and interpretation to have interconnectivity between modern and traditional values. This process of interconnectivity must prioritize the principle of preserving traditional Balinese architecture in the modern era.

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“…Design according to the principles of Vāstu can be seen in the architectural histories of India, Cambodia, 33 , 34 Indonesia, 35 China, Japan, and Iran. 36 , 37 MVA, like other systems of Vāstu, utilizes principles associated with the directional orientation (azimuth or bearing) of buildings, communities, and individual residents as they perform common activities in their daily lives, and alignment to the Earth’s direction of rotation.…”

Section: Introductionmentioning

confidence: 99%

“…MVA is a recent reconstruction of V astu and is described as a holistic architecture system which aligns built environments with nature's intelligence, making human architecture balanced, orderly, and integrated. 29 Design according to the principles of V astu can be seen in the architectural histories of India, Cambodia, 33,34 Indonesia, 35 China, Japan, and Iran. 36,37 MVA, like other systems of V astu, utilizes principles associated with the directional orientation (azimuth or bearing) of buildings, communities, and individual residents as they perform common activities in their daily lives, and alignment to the Earth's direction of rotation.…”

Section: Introductionmentioning

confidence: 99%

Managing the Built Environment for Health Promotion and Disease Prevention With Maharishi Vastu Architecture: A Review

Lipman

Fergusson²,

Bonshek³

et al. 2022

Glob Adv Health Med

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Background and objectives The evolution of healthcare from 18th-century reductionism to 21st-century postgenomic holism has been described in terms of systems medicine, and the impact of the built environment on human health is the focus of investigation and development, leading to the new specialty of evidence-based, therapeutic architecture. The traditional system of Vāstu architecture—a design paradigm for buildings which is proposed to promote mental and physical health—has been applied and studied in the West in the last 20 years, and features elements absent from other approaches. This review critically evaluates the theory and research of a well-developed, standardized form of Vāstu—Maharishi Vastu® architecture (MVA). MVA’s principles include development of the architect’s consciousness, universal recommendations for building orientation, siting, and dimensions; placement of key functions; and occupants’ head direction when sleeping or performing tasks. The effects of isolated Vāstu elements included in MVA are presented. However, the full value of MVA, documented as a systematic, globally applicable practice, is in the effect of its complete package, and thus this review of MVA includes evaluating the experience of living and working in MVA buildings. Methods The published medical and health-related literature was systematically surveyed for research on factors related to isolated principles applied in MVA as well as on the complete system. Results Published research suggests that incorporating MVA principles into buildings correlates with significant improvements in occupants’ physical and mental health and quality of life: better sleep, greater happiness of children, and the experience of heightened sense of security and reduced stress. The frequency of burglaries, a social determinant of health, also correlates. Potential neurophysiological mechanisms are described. Conclusions Findings suggest that MVA offers an actionable approach for managing a key social determinant of health by using architectural design as preventive medicine and in public health.

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Aesthetic and Space Concept of Visual Composition in Interior and Architecture of Bali Madya Dwelling

Cited by 3 publications

References 0 publications

Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

Preserving traditional Balinese architecture: exploring the relevance of undagi’s indigenous knowledge in post-pandemic interior design

Managing the Built Environment for Health Promotion and Disease Prevention With Maharishi Vastu Architecture: A Review

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