Affective Habitus in the Hopeful Art of Capoeira

Abstract

Capoeira is a martial art that is said to have arisen out of the colonial encounter in Brazil. Forbidden from practicing martial arts, the enslaved Africans supposedly added music to their training and disguised it as dance, an artful subterfuge sustaining their hopes that they might one day be able to escape from bondage. Regardless of this story's veracity, it has become a foundational tale that practitioners in the United States reference as justification for a variety of social justice efforts they undertake as capoeiristas. This article introduces the concept of affective habitus as a way of thinking about how membership in a serious leisure community alters the ways in which individuals relate to the world around them, offering hope that the capoeirista's affective habitus might disrupt white supremacy.