Abstract:When Ugandan singer Geoffrey Oryema died in France in 2018 after forty-one years in exile, his wish was to be cremated, repatriated to Uganda, and dispersed on the wind. His wish implied improper burial and ignited a controversy due to varied meanings of the bush. The bush is a keyword with a painful past. Oryema’s experience and Acholi concepts of the bush suggest the bush is partly a discourse, inherited from one generation to the next, about the shifting space between home and wild. For this analysis, Lagac… Show more
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