In considering two extended examples of educational reform efforts, this discussion traces relations that become visible through analytic approaches associated with actor-network theory (ANT). The strategy here is to present multiple readings of the two examples. The first reading adopts an ANT approach to follow ways that all actors -human and non-human entities, including the entity that is taken to be 'educational reform' -are performed into being through the play of linkages among heterogeneous elements. Then, further readings focus not only on the material practices that become enacted and distributed, but also on the otherings that occur: the various fluid spaces and ambivalent belongings that create actor-network(s) but also escape them. For educational research, particularly in educational reform and policy, it is argued that ANT analyses are particularly useful to examine the complex enactments in these dynamics. That is, ANT can illuminate movements of ordering and disordering that occur through minute socio-material connections in educational interventions. ANT readings also can discern, within these attempts to order people and practices, the spaces of flux and instability that enable and protect alternate possibilities.
IntroductionA recent conference that gathered leading scholars in sociology, human geography, phenomenology, cultural studies and anthropology declared a growing central interest across social science disciplines in the analytical category of 'material practice': 'the move now is to explain the emergence and experience of 'things''.1 In analysing educational reform processes, what insights may be yielded, and what challenges encountered, when we focus on material practices, the politics they produce, and how they are entwined with agendas for educational change? One theoretical approach or 'sensibility' to a socio-material analysis is offered by actornetwork theory (ANT), which has proliferated in the broad field of organizational studies and organizational change since the 1980s. In its early and enthusiastic iterations, as later critics pointed out, ANT tended to focus on the most powerful actors, to imply that all phenomena could be folded into a network ontology, and to overlook the location and gaze of the ANT analysis itself. Certain analytic constructs that emerged from the fine-grained early-ANT studies (e.g. Latour, 1996) also tended to be taken up in ways that eventually became formulaic. Later, reflexive re-thinkings of ANT such as Law and Hassard's Actor Network Theory and After (1999) pointed to the flowering of what is sometimes referred to as 'after-ANT' approaches: a wide-ranging diffusion of rich analyses that continued to trace how things become enacted through messy linkages among human and non-human elements, and to explore networks within networks, but which also honour multiple ontologies, ambivalences, and modes of enactment. Given this wide diversity, and given analysts' own care to distance themselves from any identifiable ANT orthodoxy or method, i...