“…The embodied turn has also led to the consideration of a wider range of bodies in tourism research beyond its traditional focus on male, white and middle-class figurations. In Tourist Studies , we find gendered female bodies (Aitchison, 2005; Brown et al, 2020; Osman et al, 2020), racialised bodies (Saldanha, 2002; Putcha, 2020), drunk euphoric bodies (Jayne et al, 2012; Tutenges, 2015), young bodies (Garcia, 2016; Kimber et al, 2019; Tucker, 2005), old bodies (Holloway et al, 2011; O’Reilly, 2003; Tucker, 2005), bodies at work (Harris, 2009; Veijola 2009), LGBTQI+ bodies (Binnie and Klesse, 2011; Vorobjovas-Pinta and Robards, 2017), medicalised bodies (Bell et al, 2011; Cook, 2010), bodies having sex (Collins, 2007; Frohlick, 2008) and all sorts of active and thrilled bodies. Such a diverse range of bodies within Tourist Studies , and of course, within the wider research field of critical tourism studies, show the extent tourism provides ‘a unique space to explore the role of such expressive, sensual and illusory faculties of the body’ (Obrador, 2003: 56).…”