The five narratives identified by the DEEPEN-project are interpreted in terms of the ancient story of desire, evil, and the sacred, and the modern narratives of alienation and exploitation. The first three narratives of lay ethics do not take stock of what has radically changed in the modern world under the triple and joint evolution of science, religion, and philosophy. The modern narratives, in turn, are in serious need of a post-modern deconstruction. Both critiques express the limits of humanism. They do not imply, however, that these narratives should not be taken seriously. In particular, the enduring presence of three ancient narratives in laypeople's symbolic thought is highly significant in terms of the role that the logic of the sacred keeps playing in the workings of modern societies. Lay people's implicit understanding of how modern technology tends towards catastrophe and apocalypse provides the strongest argument for taking these narratives seriously.Literature is a game with tacit conventions. To violate them partially or totally is one of the many joys (one of the many obligations) of the game, whose limits are unknown.
Jorge Luis Borges [quoted in [13], 36]The Philosophy of Lay Ethics
Ethics and NarratologyWhen the DEEPEN project casts "lay ethics" in the form of narratives, this is a profound suggestion and an important finding. For the so-called armchairphilosopher who is writing these lines, this means that the spontaneous normative assessment of nanotechnology by lay people belongs to neither of the two sets of moral doctrines that vie for supremacy in contemporary academic moral philosophy. Neither consequentialism nor deontology are amenable to narrative forms. Deontology rests on a purely formal exercise which becomes especially apparent with the Kantian categorical imperative that consists in verifying that the maxim of my action can be universalized without internal contradiction. Consequentialism does not take a narrative form either since it is only interested in the maximization of the good independently of chronology, that is, of the order of succession of the partial goods that constitute an individual life or a collective history.