Alternative Representations of 3D-Reconstructed Heritage Data

Miles, Helen Cabot; Wilson, Andrew T.; Labrosse, Frédéric; Tiddeman, Bernard; Griffiths, Seren; Edwards, Ben; Ritsos, Panagiotis D.; Mearman, Joseph; Möller, Katharina; Karl, Raimund; Roberts, Jonathan C.

doi:10.1145/2795233

Cited by 23 publications

(22 citation statements)

References 20 publications

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“…Using digital tools to engage the local community in protecting and promoting the values of cultural heritage is gaining more and more attention [13,48]. Digital technologies can improve conservation and preservation techniques, enrich archives with interactive media, mapping heritage with Geographic Information System, augment participatory experiences, promoting communication among stakeholders, and deepening the understanding of the cultural attachment [63,64]. Social media is considered as one of the most important facilitators to promote the double side collaboration of authorities and citizens [65].…”

Section: Discussionmentioning

confidence: 99%

A Review of the Role of Social Media for the Cultural Heritage Sustainability

Liang¹,

Lü²,

Martin³

2020

Preprint

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During the last 20 years, with the development of Information and Communication Technologies (ICTs), an emerging interest has appeared in Digital Community Engagement (DCE) in the process of cultural heritage management. Due to a growing need to involve a broader community in the Historic Urban Landscape approach, social media are considered one of the most important platforms to promote the public participation process of urban heritage conservation in the context of rapid urbanization. Despite the growing literature on DCE, which has delivered a general overview of different digital technologies and platforms to enhance heritage conservation, little research has been done on taking stock of the utilization of social media in this process. This study aims to fill the research gap by providing a more comprehensive picture of the functionalities of social media platforms and impacts on sustainable urban development through a systematic literature review. As a result, 19 out of 248 DCE relevant articles are selected as objects to illustrate the contribution of social media. The study identified the characteristics of these applied social media tools, explores their roles and influences in cases. The article concludes with directions for further research.

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Section: Discussionmentioning

confidence: 99%

A Review of the Role of Social Media for the Cultural Heritage Sustainability

Liang¹,

Lü²,

Martin³

2020

Preprint

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“…British Museum and the Art Institute of Chicago) deploy 3D printing in order to involve groups in workshops for non-experts. Such groups include teachers, teenagers and families who engage with the museums' collections through 3D technology [18,22].…”

Section: Related Work 21 Digital Fabrication To Communicate Ch Informationmentioning

confidence: 99%

Fracturing Artefacts into 3D Printable Puzzles to Enhance Audience Engagement with Heritage Collections

Echavarria

Samaroudi

Weyrich

2020

J. Comput. Cult. Herit.

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Three-dimensional (3D) puzzles of heritage artefacts are typically used to engage audiences in the interpretation of archaeological objects in a museum gallery. The reason for this is that a puzzle can be seen as an enjoyable educational activity in the form of a game but also as a complex activity that archaeologists undertake when re-assembling fragments, for instance, of broken pottery. Until now the creation of this type of experiences is mostly a manual process and the artefacts used rarely reflect those in the collection due to the complex nature of the process. The contribution of this article is a novel digital worfklow for the design and fabrication of 3D puzzles that overcomes these limitations. The input to the workflow is an authentic artefact from a heritage collection, which is then digitised using technologies such as 3D scanning and 3D modelling. Thereafter, a puzzle generator system produces the puzzle pieces using a cell fracture algorithm and generates a set of puzzle pieces (female) and a single core piece (male) for fabrication. Finally, the pieces are fabricated using 3D printing technology and post-processed to facilitate the puzzle assembly. To demonstrate the feasibility of the proposed novel workflow, we deployed it to create a puzzle activity of the Saltdean urn, which is exhibited at the Archaeology Gallery of the Brighton Museum and Art Gallery. The workflow is also used with further artefacts to demonstrate its applicability to other shapes. The significance of this research is that it eases the task of creating puzzle-like activities and maintaining them in the long term within a busy public space such as a museum gallery.

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“…For example, archaeologists in the field can survey buildings or monuments, create 3D models and print 3D digital representations. The heritage project Together.org [82] has used such tangible models of prehistoric standing stones as interface devices. The models can be positioned on a table-top display to load specific data relevant to the object that is placed on the table.…”

Section: Data Perception and Understanding Through Hapticsmentioning

confidence: 99%

Multisensory Immersive Analytics

McCormack

Roberts

Bach

et al. 2018

Lecture Notes in Computer Science

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While visual cues are traditionally used for visual analytics, multimodal interaction technologies offer many new possibilities. This chapter explores the opportunities and challenges for developers and users to utilize and represent data through non-visual sensory channels to help them understand and interact with data. Users are able to experience data in new ways: variables from complex datasets can be conveyed through different senses; presentations are more accessible to people with vision impairment and can be personalized to specific user needs; interactions can involve multiple senses to provide natural and transparent methods. All these techniques enable users to obtain a better understanding of the underlying information. While the emphasis of this chapter is towards non-visual immersive analytics, we include a discussion on how visual presentations are integrated with different modalities, and the opportunities of mixing several sensory signals, including the visual domain.

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Alternative Representations of 3D-Reconstructed Heritage Data

Cited by 23 publications

References 20 publications

A Review of the Role of Social Media for the Cultural Heritage Sustainability

A Review of the Role of Social Media for the Cultural Heritage Sustainability

Fracturing Artefacts into 3D Printable Puzzles to Enhance Audience Engagement with Heritage Collections

Multisensory Immersive Analytics

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