“…While artificial reverberation has historically been used as a tool for artistic expression (Välimäki et al, 2012), room acoustics simulations are also utilized for planning of spaces (e.g., concert halls and classrooms; Rindel, 2001). Recently, room acoustics simulations and virtual acoustic environments (VAEs) have gained interest as tools for psychoacoustic research and hearing aid development (Ahrens et al, 2019; Grimm et al, 2019; Huisman et al, 2019; Pausch & Fels, 2020; Pausch & Fels, 2020; Rindel, 2001; Schutte et al, 2019; Seeber et al, 2010), particularly in the context of ecological validity, where the results of speech-in-noise and hearing test with simplified “synthetic” stimuli have been questioned with regard to real-world outcomes (Cord et al, 2007; Jerger, 2009; Keidser et al, 2020; Miles et al, 2020).…”