2007
DOI: 10.1111/j.1540-594x.2007.00236.x
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An Alchemy of Emotion:Rasaand Aesthetic Breakthroughs

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Cited by 45 publications
(9 citation statements)
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“…Literally meaning tasting, the term rasa (Higgins, 2007;Mc-Daniel, 1995;Shweder & Haidt, 2000) refers to aesthetic emotions experienced by the person of taste during identification with a dramatic character or situation. According to the Sanskrit literary tradition, the spectator is totally involved in the dramatic event and feels an emotion that is powerful and extraordinary, yet impersonal and generic.…”
Section: The History Of Ideas Approachmentioning
confidence: 99%
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“…Literally meaning tasting, the term rasa (Higgins, 2007;Mc-Daniel, 1995;Shweder & Haidt, 2000) refers to aesthetic emotions experienced by the person of taste during identification with a dramatic character or situation. According to the Sanskrit literary tradition, the spectator is totally involved in the dramatic event and feels an emotion that is powerful and extraordinary, yet impersonal and generic.…”
Section: The History Of Ideas Approachmentioning
confidence: 99%
“…To Bharata, the end product of blending is unity that stems from the achievement of a permanent emotion. In this respect, he shared with Aristotle the emphasis on unity as a criterion of success for the work (Higgins, 2007).…”
Section: Entity Versus Process Thinking: Two Orientations Of Aesthetimentioning
confidence: 99%
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“…See for instance Geurts (2002) who tells how the Anlo-Ewe in Ghana care for a sense of -balance‖ that allows one to carry heavy loads on one's head as well as to be a balanced person. In cultures drawing on Sanskrit, the five senses come back as Roop (Visual forms), Shabda (Sound), Gandha (Smell), Swad (Taste), Sparsha (Touch) but they are supplemented with Rasa, the ability to appreciate that pervades all the other senses (Higgins 2007). There is obviously a lot left to explore here.…”
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confidence: 99%