An Analysis of Artistic Diversity in Hybrid Art Practice among Malaysian Artists

Abstract

This research objective is to analyze the artistic diversity in hybrid art practice among selected Malaysian artists. The paper examines the process of making hybrid artworks where focusing on media diversity and experiment activity. The researchers had used cluster sampling and twenty artists involved to answer the questionnaires. The researchers used bar graph and Principal Component Analysis to analyze the artistic diversity in Hybrid Art. The finding of media diversity shows that Malaysian artists are focusing on mixed media, strength and equipment. Besides, the artists are focusing on subject matter, experiment, influence and research for the finding of experiment activity. Keywords: Collaboration, experiment activity, media diversity, hybrid approach. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2307

Technical Design and Production of Special Effects in Musical Theatre Performances

“…Some multi-disciplinary ideas, techniques and approaches are required to produce a good production of technical design. For instance, hybrid practice is promoted by the development and expansion of the media and consequently of the approaches, claim Michael et al (2020). Several strategies are applied in the hybrid form, which also challenges existing styles or merges with modern technologies to produce an outstanding result.…”

Exploring the Painting Styles of Malaysian Chinese Artists after the National Cultural Congress

“…Thus, as a cultural symbol of a nation, understanding its artistic expression is the most profound way of knowing that community. According to Valerie et al (2020), the arrival of Cheong Soo Pieng and Chen Wen Hsi from Shanghai and Georgette Chen from Paris, whose visual experiments aimed to combine the naturalistic principles of the Renaissance with the aesthetics of the Chinese scroll in painting, intensified the blending of painting vocabularies. Such was the painting style of the early Chinese artists.…”