2019
DOI: 10.18848/2326-9987/cgp/v14i03/1-12
|View full text |Cite
|
Sign up to set email alerts
|

An Analysis of Interactive Technology’s Effect on the Appreciation of Traditional Chinese Painting: A Review of Case Studies

Abstract: From a perspective of safeguarding Intangible Cultural Heritage, this paper discusses how to enhance the appreciation of traditional Chinese painting through the support of interactive technology. The author analyses extensive yet current case studies based on the findings from the interactive appreciation of and engagement with paintings. The author then summarises four aspects of how to design interactive technology in order to support the appreciation of and engagement with traditional Chinese paintings: (1… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
4
1

Citation Types

0
7
0

Year Published

2020
2020
2024
2024

Publication Types

Select...
6
2

Relationship

2
6

Authors

Journals

citations
Cited by 11 publications
(7 citation statements)
references
References 22 publications
0
7
0
Order By: Relevance
“…Then the author summarized how to design interactive technology to support the four aspects of Chinese painting appreciation and participation: (1) Deepening the aesthetic understanding of Chinese painting should not be ignored in the design process; (2) The current case study does not consider the distinction between professional artists and The user experience between amateurs (not good at painting); (3) It is important to use interactive technology to improve the origi-nality and delicacy of Chinese painting; (4) Use an interactive system to allow users to participate in the appreciation (by encouraging them to talk about art or discuss Their understanding of art) can provide potential design insights for future research. Although his research content and conclusions fit the expected value very well, he did not clarify the flow chart, which is of little practical significance [5]. In 2017, Lee J aimed to evaluate the effects of art therapy through the appreciation of famous paintings of cancer patients suffering from radiotherapy.…”
Section: Introductionmentioning
confidence: 99%
“…Then the author summarized how to design interactive technology to support the four aspects of Chinese painting appreciation and participation: (1) Deepening the aesthetic understanding of Chinese painting should not be ignored in the design process; (2) The current case study does not consider the distinction between professional artists and The user experience between amateurs (not good at painting); (3) It is important to use interactive technology to improve the origi-nality and delicacy of Chinese painting; (4) Use an interactive system to allow users to participate in the appreciation (by encouraging them to talk about art or discuss Their understanding of art) can provide potential design insights for future research. Although his research content and conclusions fit the expected value very well, he did not clarify the flow chart, which is of little practical significance [5]. In 2017, Lee J aimed to evaluate the effects of art therapy through the appreciation of famous paintings of cancer patients suffering from radiotherapy.…”
Section: Introductionmentioning
confidence: 99%
“…Current studies have effectively supported users in experiencing puppetry briefly, and traditional puppetry has also been utilised to convey culture to engage users in game entertainment or social learning. How to engage audiences or viewers' interest in traditional Chinese puppetry is always a key aspect of safeguarding it [40]. However, through analysing the extensive case studies that integrate interactive technology, the author believed that the current case studies did not make a clear distinction of both learning and appreciation of traditional Chinese puppetry.…”
Section: Discussionmentioning
confidence: 98%
“…Traditional paintings depicted features such as personal portraits and landscapes, but they also show historical events and subjects. Researchers of traditional paintings [2], [53], [54], find that the existence of traditional paintings is tangible, whereas the intangibles are invisible and include historical stories and the associated cultural heritage. They also insist that more important than the materials, such as the paper, silk, and paint that make up traditional paintings, are the production techniques, historical facts, and cultural values inherent in traditional paintings.…”
Section: Introductionmentioning
confidence: 99%