DOI: 10.11606/t.27.2002.tde-23032007-111516
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"Análise documentária de fotografias: um referencial de leitura de imagens fotográficas para fins documentários"

Abstract: Zoltan e Zuleica Carneiro. Tão bom ter vocês por perto! À Sílvia H. Lara, pelas boas palavras de encorajamento e, sobretudo, por toda a parte lúdica dos últimos meses: reparador, prazeroso e inesquecível. Aos irmãos do Cáucaso e do Azerbaijão e aos amigos de mais alto ainda, minha gratidão pela força maior. Finalmente, meu especial agradecimento à Johanna, que soube ser muito mais que orientadora durante estes anos compartilhados. Obrigada por tudo! SUMÁRIO

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Cited by 38 publications
(77 citation statements)
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“…The process of image analysis never exhausts itself, it is never complete, because on the same image will always be the possibility of applying a new reading. Therefore, the analyst must be aware of the time to stop and declare the completion of the analysis (4) . Based on this assumption, the analysis was completed after construction of mental maps around the denotative inventory and examination of the relationships between the elements "nurse" and "individual in psychological distress. "…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…The process of image analysis never exhausts itself, it is never complete, because on the same image will always be the possibility of applying a new reading. Therefore, the analyst must be aware of the time to stop and declare the completion of the analysis (4) . Based on this assumption, the analysis was completed after construction of mental maps around the denotative inventory and examination of the relationships between the elements "nurse" and "individual in psychological distress. "…”
Section: Methodsmentioning
confidence: 99%
“…However, it should be emphasized that the eye of the photographer is already a relevant detail in transforming historic reality, even if a social scientist is the author of the image. "His gaze -which ends up being the camera itself -is full of idiosyncrasies, knowledge and judgment" (3)(4) . From this statement, it is worth considering that contemporary photography, in such works as those by Steven Klein, does not base itself on reality captured by the camera, but a represented reality, stored in memory, that is then planned, architected, assembled for subsequently registration.…”
Section: Introductionmentioning
confidence: 99%
“…Importantes pesquisas vêm sendo desenvolvidas no campo documental (Smit, 1997;Manini, 2002), da arte (Berger, 1999;Francastel, 1983), da estética (Joly, 1996;Barthes, 1984), da comunicação (Kossoy, 1980;Maranhão, 1988;Coutinho, 2006) 2006; Souza, 2001), da história (Paiva, 2006;Burke, 2004), dos estudos visuais (Neiva Jr., 1986;Martín-Barbero e Rey, 2001). Não é nossa pretensão, aqui, esgotar esse manancial de concepções ou fazer a exegese dos métodos de análise.…”
Section: A Análise Da Imagemunclassified
“…Nesse contexto, destacam-se os estudos de Panofsky (1979), Smit (1996, Kossoy (2001) e Manini (2002), entre outros, que se debruçaram sobre o caráter polissêmico das imagens, buscando levantar questões sobre o seu estudo. Assim, alguns elementos como o conteúdo intrínseco, com ênfase no contexto histórico, (KOSSOY, 2001) passaram a ser de suma importância para a compreensão de um dado documento imagético.…”
Section: Introductionunclassified