2021
DOI: 10.1192/bjb.2020.146
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Analysing Joker: an attempt to establish diagnosis for a film icon

Abstract: Summary Todd Phillips's film Joker, a 2019 psychological thriller, has stirred up strong reactions to the portrayal of the lead character's mental disorder, which is never specified. I used DSM-5 criteria to study whether Joker/Arthur Fleck showed signs of a real mental disorder. The psychopathology Arthur exhibits is unclear, preventing diagnosis of psychotic disorder or schizophrenia; the unusual combination of symptoms suggests a complex mix of features of certain personality traits, namely psychopathy a… Show more

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Cited by 10 publications
(7 citation statements)
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“…This is different from most films that show the conflict through dialogue (Jati Kusuma, 2019). Another uniqueness is the rarity of films without dialogue or minimal dialogue produced today (Skryabin, 2021).…”
Section: Introductionmentioning
confidence: 79%
“…This is different from most films that show the conflict through dialogue (Jati Kusuma, 2019). Another uniqueness is the rarity of films without dialogue or minimal dialogue produced today (Skryabin, 2021).…”
Section: Introductionmentioning
confidence: 79%
“…Over more, Arthur in the film's various mental abnormalities in the performance, but also a real show of brain damage, and suffering from mental disorders of patients in society how difficult the situation. He shows the tendency of narcissistic personality disorder, and the symptoms of pseudobulbar affect due to traumatic brain injury [11]. The film uses Arthur's childhood trauma and his suffering and inner perseverance in spite of his mental disorder as a means to gain audience support and call for more care and understanding for real-life patients.…”
Section: Film Is Above Reality But Not Realitymentioning
confidence: 99%
“…With regards to academic explorations of the Joker narrative, the myth has received scholarly attention which either focuses on discursive aspects of the trickster myth in Tim Burton's Batman (Lewis 1997;Harris 1997), characteristics of Heath Ledger's Joker (Brodesser-Akner 2008;Bellinger 2009), The Dark Knight's (Nolan 2008) representation of mental illness as dangerous (Camp et al 2010), and the villain's rivalry with Batman as explored through its representation of class dynamics (Tyree 2009;Nichols 2011;Mizsei-Ward 2012;Silvers 2016). Since the release of the 2019 Joker film, increased academic attention has been awarded to the study of the Joker text/myth and its effects, as seen in analyses of the polemical aspect of news media discourse on the film (Mathijs 2021), the story's recontextualization of hegemony (Brown 2021), the film's sound design (Kerins 2021), the deformist masculinity of Joaquin Phoenix's Joker (Kavka 2021), the film's effects on audience negative perception of mental illness as dangerous (Durham and Wilkinson 2020;Hulatt 2020), critical explorations of the 2019 Joker's politics (Žižek 2019), and the story's representation of gender violence and mental illness as violent (Redmond 2021;Skryabin 2021).…”
Section: Literature Reviewmentioning
confidence: 99%