2013
DOI: 10.1002/xrs.2459
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Analysis of mural paintings using in situ non‐invasive XRF, FTIR spectroscopy and optical microscopy

Abstract: An analytical protocol consisting of X-ray fluorescence spectroscopy, optical microscopy and Fourier transform infrared spectroscopy was used to study the origin and the nature of the materials (pigments, binders and coating preparation) of the Fundenii Doamnei church mural paint from Bucharest. The main interest of the present study consisted in the original votive paint from narthex, painted in 1757 in a secco technique.During analysis, an unexpected pigment in the votive paint could be detected by the combi… Show more

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Cited by 17 publications
(13 citation statements)
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“…X-ray Fluorescence atomic spectroscopy has proved to be valuable for in situ identification of pigments and a guide for further investigations with complementary analytical techniques. [19][20][21][22] XRF is a mature analytical technique for the determination of the elemental composition of a material. This method is non-destructive, multi-elemental, fast and cost-effective.…”
Section: Introductionmentioning
confidence: 99%
“…X-ray Fluorescence atomic spectroscopy has proved to be valuable for in situ identification of pigments and a guide for further investigations with complementary analytical techniques. [19][20][21][22] XRF is a mature analytical technique for the determination of the elemental composition of a material. This method is non-destructive, multi-elemental, fast and cost-effective.…”
Section: Introductionmentioning
confidence: 99%
“…The pigment palette depended on local sources and the trade network. The pigments used in the Medieval Ages in Western [61,69] and Eastern-Southeastern Europe, including Byzantine churches [16,46,[70][71][72][73], were slaked lime, calcite, Fe-ochres, azurite, Cu-minerals, white lead, red lead, green earth, carbon black, cinnabar, and lapis lazuli. Blue vivianite was "a specialty of the European medieval times" [48].…”
Section: General Remarks On Pigmentsmentioning
confidence: 99%
“…The use of a portable XRF (pXRF) brought the possibility to study frescoes in situ, while minimizing damage to the archaeological material [4,[15][16][17][18]. Simsek et al [19] stated, "this noninvasive technique in fact allows the study of a large number of samples, thus giving a more representative, statistical view of the production variability."…”
Section: Introductionmentioning
confidence: 99%
“…With the spirit of International Charter for the Conservation and Restoration of Monuments and Sites (Venice Charter) adopted in 1964 [44], the conservation and restoration of monuments must have recourse to all sciences and techniques, which contributes a lot to the study and safeguard the architectural heritage. An increasing number of researchers apply modern high precision instruments to characterize the architectural heritage materials [14,18,45,46]. In this review, an overview of different types of characterization techniques used for historic building materials was presented (the major characteristics and the typical applications of each technique were summarized in Table 1), which included the optical microscopy (OM), atomic force microscopy (AFM), infrared spectroscopy (IR), Raman spectroscopy (RS), microscopy both in SEM and TEM, environmental scanning electron microscopy (ESEM), energy dispersion X-ray analysis (EDX), thermogravimetric analysis (TG), differential thermal analysis (DTA), differential scanning calorimetry (DSC), X-ray diffraction (XRD), X-ray fluorescence (XRF), X-ray photo-electron spectroscopy (XPS), X-ray absorption spectroscopy (XAS), ultraviolet-visible spectroscopy (UV-vis), laser-induced breakdown spectroscopy (LIBS), ion beam analysis and mass-based molecular techniques.…”
Section: Introductionmentioning
confidence: 99%