Analysis of pigments and damages for the 19th century White-robed Water-moon Avalokitesvara Painting in Gongju Magoksa Temple, Republic of Korea

Yang, Hye Ri; Lee, Chan Hee; Yi, Jeongeun

doi:10.1186/s40494-021-00600-6

Cited by 3 publications

(2 citation statements)

References 31 publications

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“…However, if we make use of the literature published up to now on analyzed colourants in Asia (Fitzhugh, Leona and Winter 2003, Forbes 1932, Kogou et al 2016, Nam et al 2016, Yamasaki and Emoto 1979, Yang, Lee and Yi 2021, Uyemura 1931) and in the colouring manuals (Yu 1988, Chao 1979), a tendency emerges regarding which colourants were used. Verdigris is considered to be one of the earliest synthetic Chinese pigments, but it seems to have had minor importance in the Asian sphere.…”

Section: 24mentioning

confidence: 99%

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Colours on East Asian Maps

Lange¹,

Hahn²

2023

Colours on East Asian Maps

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Section: 24mentioning

confidence: 99%

“…See for example Castro et al 2008aand 2008b, Kogou et al 2016, Mendes et al 2008, Nam et al 2016, Stillo 2016, Yang, Lee and Yi 2021, and the numerous NRICH reports mentioned above. 97…”

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confidence: 99%

Colours on East Asian Maps

Lange¹,

Hahn²

2023

Colours on East Asian Maps

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X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling

Harth

2024

Herit Sci

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This review presents the computational method of topic modeling to identify core topics and time trends in research on X-ray fluorescence (XRF) and its application to cultural heritage. Topic modeling is an approach to text mining based on unsupervised machine learning, which helps to determine core topics within a vast body of text. Due to the large amount of published work on X-ray fluorescence in the area of cultural heritage, traditional literature review has become impractical, inefficient, time-consuming, and potentially less reliable. Therefore, it is important to take stock of which topics have been core to such research and whether specific time trends can be identified within them. Using topic modeling, this review aims to reveal core topics and trends in research on XRF analysis of painted heritage objects by examining 982 articles collected from Web of Science. Within this dataset of articles, ten topics have been identified. The identified topics can be clustered in three main categories: the methods used, the objects studied, and the specific materials studied. In terms of trends in topic share since 2010, it is especially noteworthy to see that the share of articles focused on the identification and study of painting materials and techniques has more than doubled. Similarly, another impressive increase can be observed for articles centered on advanced imaging spectroscopic techniques, such as macro X-ray fluorescence (MA-XRF) and reflectance hyperspectral imaging, for the study of easel paintings. The share of attention within XRF literature given to imaging spectroscopic techniques tripled between 2010 and 2017, though stabilizing in the subsequent years. Conversely, the share of articles which specifically deal with the development and improvement of energy dispersive X-ray fluorescence (ED-XRF) spectroscopic techniques (i.e., portable ED-XRF, confocal micro-XRF, micro-grazing exit XRF) for the elemental analysis (including elemental depth profiling) of painted heritage objects has declined sharply.

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Interpretation of the Pigments Analysis and Coloration Techniques for Ksitigarbha Bodhisattva Painting within the Myengbujeon Hall in Namwon Seonwonsa Temple, Korea

Jeong,

Lee

2023

J. Conserv. Sci

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The Ksitigarbha Bodhisattva Painting of Myeongbujeon Hall in Namwon Seonwonsa temple was painted in 1917 by seven monk painters including Geumeo Manchong, Sango and Haengeun. In the painting, Korean National Flag (Taegeukgi), a trace of anti-Japanese movement that had been hidden under suppression during the invaded by the Japanese period, was found on the surface of official wooden hat in Sixth King (Byeonseongdaewang). Elements of Pb, S and Si were commonly detected by the P-XRF of the painting pigments to be analyzed, which was estimated the characteristics of the Sinamchae made by mixing colored metal oxides and glass powder, and data were secured. As the optial microscopy, scanning electron microscopy and SEM-EDS analysis show that black is chinese ink and lampblack ink, white is lead hydroxide and chalk, gold is gold foil, yellow is iron oxide yellow, massicot and gamboge, red is cinnaba, iron hydroxide and minium, green is emerald green, blue is ultramarine, respectively. As the infrared photography, various coloring techniques and traces of several overlapping for completeness were found. A comprehensive considerations of these shows that various coloring techniques with back, bottom and middle colorations were used. The Taegeuk pattern is interpreted as making a circle shape with a minium and painting with emerald green over it.

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Analysis of pigments and damages for the 19th century White-robed Water-moon Avalokitesvara Painting in Gongju Magoksa Temple, Republic of Korea

Cited by 3 publications

References 31 publications

Colours on East Asian Maps

Colours on East Asian Maps

X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling

Interpretation of the Pigments Analysis and Coloration Techniques for Ksitigarbha Bodhisattva Painting within the Myengbujeon Hall in Namwon Seonwonsa Temple, Korea

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