2005
DOI: 10.1016/j.chroma.2004.12.078
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Analytical characterization of diterpenoid resins present in pictorial varnishes using pyrolysis–gas chromatography–mass spectrometry with on line trimethylsilylation

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Cited by 96 publications
(53 citation statements)
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“…Spectroscopic studies performed to date including Pyrolysis coupled to GC/MS (Py-GC/MS) [14][15][16][17][18], Fourier Transform Infrared (FTIR) Spectroscopy [19][20][21][22][23][24][25] and Raman Spectroscopy [26][27][28][29] among other techniques [30] have been focused on the identification of the Pinus resin by determining its characteristic footprints. Nevertheless, a spectroscopic study of the ageing process is expected to give very valuable additional information since, unlike GC/MS, it can detect macromolecules and it doesn't require any sample treatment such as dissolving or derivatization, to identify how molecular species are organized and which reactions or interactions exist among them.…”
Section: Introductionmentioning
confidence: 99%
“…Spectroscopic studies performed to date including Pyrolysis coupled to GC/MS (Py-GC/MS) [14][15][16][17][18], Fourier Transform Infrared (FTIR) Spectroscopy [19][20][21][22][23][24][25] and Raman Spectroscopy [26][27][28][29] among other techniques [30] have been focused on the identification of the Pinus resin by determining its characteristic footprints. Nevertheless, a spectroscopic study of the ageing process is expected to give very valuable additional information since, unlike GC/MS, it can detect macromolecules and it doesn't require any sample treatment such as dissolving or derivatization, to identify how molecular species are organized and which reactions or interactions exist among them.…”
Section: Introductionmentioning
confidence: 99%
“…Canada balsam is another oleoresin, which comes from a Pinaceae called Abies balsamea, in a clear reference to its aromatic mono-and sesquiterpenes (Lee et al, 1974). Oleoresins have been used as a varnish in paintings since ancient times, in various civilizations, such as the Persian, Indian, Chinese and Greek (Osete-Cortina & Doménech-Carbó, 2005). In the renaissance period, Copaiba Oil and Canada balsam were used by many artists, such as Cenino Cennini and Leonardo da Vinci, who described the process of varnish preparation, in which the resin was melted to obtain a clear liquid, and then poured into hot drying oil (Osete-Cortina & Doménech-Carbó, 2006).…”
Section: Introductionmentioning
confidence: 99%
“…Analytical studies have been done which not only deal with the characterization of the resins but also with their photochemical or thermal degradation. They have been performed by means of gas chromatography-mass spectrometry (GC-MS) [15,[19][20][21][22][23], pyrolysis-GC-MS (Py-GC-MS) [24], thermally assisted hydrolysis and methylation-Py-GC-MS (THM-Py-GC-MS) [25][26][27][28][29] and online trimethylsilylation Py-GC-MS [17,[30][31][32].…”
Section: Introductionmentioning
confidence: 99%