Analyzing the Form and Function of Film Music in Crouching Tiger Hidden Dragon within Anthropological Contexts

Abstract

Background and Aims: This research delves into the intricate world of film music, focusing on the iconic film "Crouching Tiger, Hidden Dragon" within anthropological contexts. The objective is to analyze the form and function of the film music in "Crouching Tiger, Hidden Dragon" within anthropological contexts. Materials and Methods: Employing a multifaceted methodology that combines anthropological, musical, and cinematic analyses, the study explores how music shapes psychological states, maintains sensory continuity, reveals character's inner activities, and intensifies emotional landscapes within the film. Drawing upon a rich interdisciplinary literature review encompassing film studies, anthropology, and musicology, the research establishes a theoretical framework that guides the analysis. Results: The results reveal the profound impact of music on the cinematic narrative, with specific examples showcasing how musical choices manipulate audience emotions and enrich character development. The interdisciplinary synthesis of findings emphasizes the interconnectedness of music, culture, and storytelling in this cinematic masterpiece. Conclusion: This study offers insights into the cultural fusion of Eastern and Western musical elements and highlights the importance of interdisciplinary collaboration between film studies and musicology in advancing film music analysis.