2005
DOI: 10.1179/174329305x64394
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Ancient glass deterioration in mosaics of Pompeii

Abstract: The aim of the present project is to evaluate the deterioration degree of ancient glass surface used as mosaic materials (tesserae) in Pompeii's 'ninfei a scala'. Specimens come from the fountain in the 'Domus del Centenario' (Pompeii, IX, 8), built starting from the 1st century AD and have been studied within a broader project on the Domus involving archaeologists, engineers, geologists, chemists and materials scientists. Using data from both non-destructive analyses (OM, XRD, SEM-EDS and UV-VIS) and those re… Show more

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Cited by 7 publications
(5 citation statements)
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“…This is a significant finding that integrates the current knowledge about glass manufacturing in the Roman Age [5,8,10]: as far as the analyzed tesserae is concerned, it is reasonable to hypothesize that Roman craftsmen bought chunk, sheets or even tesserae of a relatively cheap, colourless and transparent glass and, in a second manufacturing step, deliberately heat-treated the raw glass to transform it in a glass-ceramic material to be used in the final form of opaque white tesserae. This hypothesis can be also supported by the observations of other authors, who found partially crystallized opaque glass tesserae [11,12].…”
Section: Resultssupporting
confidence: 83%
“…This is a significant finding that integrates the current knowledge about glass manufacturing in the Roman Age [5,8,10]: as far as the analyzed tesserae is concerned, it is reasonable to hypothesize that Roman craftsmen bought chunk, sheets or even tesserae of a relatively cheap, colourless and transparent glass and, in a second manufacturing step, deliberately heat-treated the raw glass to transform it in a glass-ceramic material to be used in the final form of opaque white tesserae. This hypothesis can be also supported by the observations of other authors, who found partially crystallized opaque glass tesserae [11,12].…”
Section: Resultssupporting
confidence: 83%
“…2. Almost all of the Italian samples have already been the object of archaeometric studies dealing with specific historical and/or technological issues, most of which have been published (Abu Aysheh, 2006;Boschetti et al, 2007;Corradi et al, 2005;Macchiarola and Fontanelli, 2008;Macchiarola et al, 2006Macchiarola et al, , 2007Santagostino Barbone et al, 2008;Santoro et al, 2006). Table 2 contains selected chemical compositions determined by ICP-OES analyses (some of which during these previous analytical works, as referenced in the table).…”
Section: Methodsmentioning
confidence: 96%
“…Fragment MAC20 stands as an exception among the red samples; it belongs to a rare typology of red mosaic glasses found at Pompeii, which are strongly altered and have developed degradation products in the form of Pb-carbonates and Cu-oxides/hydroxides (Corradi et al, 2005), and a consequent greenish appearance (''turquoise'' color due to Cu 2þ ). Its chemical composition, extremely rich in copper (w9% CuO) and lead (w30% PbO), makes this sample more similar to European Iron Age opaque red (enamel) glasses than to Roman ones (Stapleton et al, 1999).…”
Section: Red (And Dark/black) Glassesmentioning
confidence: 99%
“…Understanding the properties of ceramic artifacts can help care for them correctly [8] (Figs 2a and 2b). DTA gives a complete database based on classification by color, materials characterization, and evaluation of their deterioration [10].…”
Section: Methodsmentioning
confidence: 99%