Revisiting Multiculturalism in Canada 2015
DOI: 10.1007/978-94-6300-208-0_14
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“And he was Dancing Like no Tomorrow”

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(7 citation statements)
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“…Contrary to the multiculturalist expectations that the YIPI facilitates cultural encounters and interactions, however, research by James and Chapman‐Nyaho (2015) finds that some of the program's participants are hesitant to participate in the ‘cultural event’ alongside the officers. In one such example, the researchers recount the story of two program participants who expressed hesitation to dance with officers at the festival, only to be told by the supervising officer: ‘You have to dance.…”
Section: Commodifying Culture Depoliticizing Anti‐racism: the Youth I...mentioning
confidence: 90%
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“…Contrary to the multiculturalist expectations that the YIPI facilitates cultural encounters and interactions, however, research by James and Chapman‐Nyaho (2015) finds that some of the program's participants are hesitant to participate in the ‘cultural event’ alongside the officers. In one such example, the researchers recount the story of two program participants who expressed hesitation to dance with officers at the festival, only to be told by the supervising officer: ‘You have to dance.…”
Section: Commodifying Culture Depoliticizing Anti‐racism: the Youth I...mentioning
confidence: 90%
“…Aware of the power and status differentials, the youth hesitate while the police dance ‘like no tomorrow' (James & Chapman‐Nyaho, 2015, p. 221). Marketed through community cultural events like the Caribana, multicultural state interventions like the YIPI not only promote the racialization and racial exploitation of marginalized groups, but also commodify and depoliticize culture (James & Chapman‐Nyaho, 2015; Mackey, 1999; Masoumi, 2020).…”
Section: Commodifying Culture Depoliticizing Anti‐racism: the Youth I...mentioning
confidence: 99%
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