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Andronovo culture is the largest Eurasian formation in the Bronze Age, and it had a significant impact on neighboring regions. It is the important culture for understanding many historical processes, in particular, the origins and migration of Indo-Europeans. However, in most works there is a very simplified understanding of the scientific problems associated with this culture. The history of its study is full of opposing opinions, and all these opinions were based on reliable grounds. For a long time, the existence of the Andronovo problem was caused by the fact that researchers supposed they might explain general processes by local situations. In fact, the term “Andronovo culture” is incorrect. Another term “Andronovo cultural-historical commonality” also has no signs of scientific terminology. Under these terms a large number of cultures are combined, many of which were not related to each other. In the most simplified form, they can be combined into two blocks that existed during the Bronze Age: the steppe (Sintashta, Petrovka, Alakul, Sargari) and the forest-steppe (Fyodorovka, Cherkaskul, Mezhovka). Often these cultures are placed in vertical lines with genetic continuity. However, the problems of their chronology and interaction are very complicated. By Andronovo cultures we may understand only Fyodorovka and Alakul cultures (except for its early stage); however, it is better to avoid the use of this term.
Andronovo culture is the largest Eurasian formation in the Bronze Age, and it had a significant impact on neighboring regions. It is the important culture for understanding many historical processes, in particular, the origins and migration of Indo-Europeans. However, in most works there is a very simplified understanding of the scientific problems associated with this culture. The history of its study is full of opposing opinions, and all these opinions were based on reliable grounds. For a long time, the existence of the Andronovo problem was caused by the fact that researchers supposed they might explain general processes by local situations. In fact, the term “Andronovo culture” is incorrect. Another term “Andronovo cultural-historical commonality” also has no signs of scientific terminology. Under these terms a large number of cultures are combined, many of which were not related to each other. In the most simplified form, they can be combined into two blocks that existed during the Bronze Age: the steppe (Sintashta, Petrovka, Alakul, Sargari) and the forest-steppe (Fyodorovka, Cherkaskul, Mezhovka). Often these cultures are placed in vertical lines with genetic continuity. However, the problems of their chronology and interaction are very complicated. By Andronovo cultures we may understand only Fyodorovka and Alakul cultures (except for its early stage); however, it is better to avoid the use of this term.
The settlement of Mochishche contains materials from all the Bronze Age cultures of the Trans-Urals: Petrovka, Alakul, Fyodorovka, Cherkaskul, Mezhovka and Sargary ones. The study of Fyodorovka pottery showed that its forms and ornamentation could not be derived from the Alakul tradition. However, technological research yielded a different result: a significant part of clays and inclusions had parallels in the Alakul pottery of the settlement, but potters also started to use silty clay, which had been probably introduced by the Fyodorovka population of the Lower Tobol region. The number of polished ware decreased sharply, the use of grog increased to some extent, and there is no evidence of ware forming techniques with form-models characteristic of Alakul, but this may be due to the small number of items studied. Nevertheless, their vessels, like the Alakul ones, were formed with the spiral patching method following the bottom and lower part of wall formation on the model. Therefore, the pottery technology of the Fyodorovka population of Mochishche reflects the contacts of potters, bearers of two traditions: the local Alakul and Fyodorovka ones, probably from the Lower Tobol region. However, in the pottery shape and ornamentation, they were guided by Fyodorovka stereotypes, which began to dominate for some social reasons.
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