Abstract:The purpose of this paper is to explore how critical acts of making during a participatory museum workshop and subsequent studio-based research-creation can inspire poly-vocal discourses around museum taxidermy as repositories of complex histories. Centred on four animals on display at the Redpath Museum, this program of research sough to reanimate these animals and reposition their context within the museum space and wider world beyond. Through collaborative exploration and creative acts of making, art educat… Show more
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