2012
DOI: 10.1007/s10503-012-9271-x
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Animist Intersubjectivity as Argumentation: Western Shoshone and Southern Paiute Arguments Against a Nuclear Waste Site at Yucca Mountain

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Cited by 11 publications
(3 citation statements)
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“…These indigenous artworks reflect an ontology in which nonhumans, effigy mounds, and even features that government experts and some Land Artists treat as inert natural objects, are not dead, but lively. For example, Yucca Mountain, the proposed container for civilian nuclear waste, while not a human construct, is understood by Shoshone and Paiute people who historically have lived in relation to it as alive, some naming it with terms that can be glossed in English as "Serpent Swimming West" (Endres 2013). The placement of radioactive waste within the depths of Yucca Mountain, selected as a geologically inert feature from the perspective of US agencies, will actually poison a living being, indigenous critics argue (Endres 2012;Zabarte 2002).…”
Section: Reclaiming Landscape: Indigenous Artistsmentioning
confidence: 99%
“…These indigenous artworks reflect an ontology in which nonhumans, effigy mounds, and even features that government experts and some Land Artists treat as inert natural objects, are not dead, but lively. For example, Yucca Mountain, the proposed container for civilian nuclear waste, while not a human construct, is understood by Shoshone and Paiute people who historically have lived in relation to it as alive, some naming it with terms that can be glossed in English as "Serpent Swimming West" (Endres 2013). The placement of radioactive waste within the depths of Yucca Mountain, selected as a geologically inert feature from the perspective of US agencies, will actually poison a living being, indigenous critics argue (Endres 2012;Zabarte 2002).…”
Section: Reclaiming Landscape: Indigenous Artistsmentioning
confidence: 99%
“…Many in modern American society think of the desert as “a dry, lifeless, unforgiving wasteland that most of civilized society does its best to avoid” (Hager ). This depiction of the landscape as aesthetically bankrupt justifies the treatment of the desert as a site for toxic activities, especially nuclear mining, testing, and dumping (Endres ). These activities, in turn, have “tainted” the desert, turning it into not only a perceived aesthetic wasteland, but a materially toxic one as well (Kuletz ).…”
Section: Aesthetics As Preservation and Wastementioning
confidence: 99%
“…Fill (2001) describes ‘ecolinguistics’ as the study of ‘languages in their environments’ and ‘language and environmental problems’ (Bednarek and Caple, 2010: 8–9). In contributing to the latter line of work, we join a growing number of scholars who study environmental discourse in situated contexts (Endres, 2012; Hugh-Jones and Madill, 2009; Lindeman, 2013; Stamou and Paraskevopolous, 2008; Usher, 2013; Waddell, 1996; Yamaguchi, 2007), in particular in mediated environments (Killingsworth and Palmer, 1992a; McIlvenny, 2009; Sonnett et al, 2006). In a synthesis of literature on environmental discourse, Mühlhaüsler and Peace (2006) conclude that environmental discourses are most often anthropocentric and concerned with the local (p. 471).…”
Section: Environmental Discourse In the Media: Proximity And Representationmentioning
confidence: 99%