2016
DOI: 10.1007/s40828-016-0033-5
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Another beauty of analytical chemistry: chemical analysis of inorganic pigments of art and archaeological objects

Abstract: This lecture text shows what fascinating tasks analytical chemists face in Art Conservation and Archaeology,

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Cited by 13 publications
(5 citation statements)
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References 68 publications
(80 reference statements)
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“…Experimental THz-TDS and Raman (though not specifically at low frequencies) spectral databases of artists’ materials including pigments, glues, and binding media have been constructed. , These databases primarily focus on pure materials; however, pigment mixtures were commonly used to achieve desired hues in artifacts . Accurate characterization of pigment mixtures is important not only for identification of artifact composition, but also to provide better understanding of artists’ palettes in original works, monitoring degradation of pigments over time, detection of previous damage including prior restoration and conservation efforts, and artifact authentication. ,, Raman and infrared spectroscopies have been utilized in the analyses of various pigment mixtures and binders, as demonstrated in recent reports. From an analytical perspective, the multiple spectral signals from mixtures often present a practical challenge for spectroscopic analysis as compared to neat samples. Low-frequency vibrational spectroscopy has the potential to aid in pigment mixture analyses given the already reported successes using THz-TDS and LFRS for molecular solids, including pharmaceuticals. Investigating pigments and their mixtures with low-frequency vibrational spectroscopy could also prove useful in elucidating the contrast mechanisms underlying the 2D and 3D images of artworks that have been collected using THz radiation. …”
mentioning
confidence: 99%
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“…Experimental THz-TDS and Raman (though not specifically at low frequencies) spectral databases of artists’ materials including pigments, glues, and binding media have been constructed. , These databases primarily focus on pure materials; however, pigment mixtures were commonly used to achieve desired hues in artifacts . Accurate characterization of pigment mixtures is important not only for identification of artifact composition, but also to provide better understanding of artists’ palettes in original works, monitoring degradation of pigments over time, detection of previous damage including prior restoration and conservation efforts, and artifact authentication. ,, Raman and infrared spectroscopies have been utilized in the analyses of various pigment mixtures and binders, as demonstrated in recent reports. From an analytical perspective, the multiple spectral signals from mixtures often present a practical challenge for spectroscopic analysis as compared to neat samples. Low-frequency vibrational spectroscopy has the potential to aid in pigment mixture analyses given the already reported successes using THz-TDS and LFRS for molecular solids, including pharmaceuticals. Investigating pigments and their mixtures with low-frequency vibrational spectroscopy could also prove useful in elucidating the contrast mechanisms underlying the 2D and 3D images of artworks that have been collected using THz radiation. …”
mentioning
confidence: 99%
“…3 Accurate characterization of pigment mixtures is important not only for identification of artifact composition, but also to provide better understanding of artists' palettes in original works, monitoring degradation of pigments over time, detection of previous damage including prior restoration and conservation efforts, and artifact authentication. 2,30,31 Raman and infrared spectroscopies have been utilized in the analyses of various pigment mixtures and binders, as demonstrated in recent reports. 32−34 From an analytical perspective, the multiple spectral signals from mixtures often present a practical challenge for spectroscopic analysis as compared to neat samples.…”
mentioning
confidence: 99%
“…49 ). A compilation of spot tests proposed for analyzing inorganic pigments in artworks and archaeological objects can be found in the literature [ 226 ] and in a more recent ChemTexts contribution by Doménech-Carbó and Osete-Cortina [ 223 ]. Arnold [ 227 ] has proposed a series of microchemical slide tests based on precipitation reactions for the qualitative analysis of the main ions that make up soluble salts and efflorescences formed as result of alteration process of stones, mortars, stuccoes, or ceramic fabrics of monuments.…”
Section: Spot Tests In Practice: Past and Present Of This Classical Methodsmentioning
confidence: 99%
“…Numerous scientific analysis methods have proven to be excellent in analyzing ancient polychromatic cultural heritages [9]. Ajò David et al [10] utilized a combination of optical and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), X-ray diffraction (XRD), Fourier transform infrared spectroscopy (FTIR), and photoluminescence spectroscopies to investigate the composition materials and conservation status of two mural paintings created by Ciro Ferri.…”
Section: Introductionmentioning
confidence: 99%