Aplikasi Virtual Reality Gamelan Gong Kebyar Tradisional Bali Berbasis Android

Aryadana, I Putu Septian; Wiranatha, Anak Agung Ketut Agung Cahyawan; Dharmadi, I Putu Arya

doi:10.24843/jim.2019.v07.i02.p08

Cited by 1 publication

(2 citation statements)

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“…Despite this, replicating the size and dimension of the bonang instrument as shown in Figure 3a and 3b, will ensure a natural transition from the virtual instrument to the acoustic counterpart. Existing virtual gamelan instruments are mostly based on variations of the Indonesian gamelan ensembles, namely the Balinese gamelan (Aryadana et al, 2019;Diatmika et al, 2015;Dwipayana et al, 2019) and Javanese gamelan (Permana et al, 2019;Revana et al, 2020). Virtualizing the Malay gamelan instrument has mostly been focused on the mobile application of the bonang instrument developed for the learning of the instrument (Hassan et al, 2020).…”

Section: The Malay Bonangmentioning

confidence: 99%

“…Despite integrating the different types of technology in developing these virtual gamelans, such as mobile technology, augmented reality, and virtual reality, however, the mapping of users' gestures is not fully leveraged to optimize natural musical expression and interaction. For example, the virtual reality Gong Kebyar (Aryadana et al, 2019) is a mobile application based on the Balinese gamelan 'gong kebyar' ensemble. This VR-Android-based application is developed as a learning tool to introduce the Balinese gamelan through visual displays rather than interactive ones, where the users get to play the VR instruments.…”

Section: The Malay Bonangmentioning

confidence: 99%

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Playing Gamelan Bonang in the Air: User Requirements for Designing a Digital Musical Instrument for the Malay Bonang

Ahmad Saffian,

Mohd Norowi,

Abdullah

et al. 2022

MJM

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In recent years, computer technologies have been impactful in the design and development of Digital Musical Instruments (DMIs). As music interaction became prominent in the Human-Computer Interaction (HCI) field, emphasis on user requirement upon the design of musical interfaces has also grown since the last decade. Although designing new DMIs is becoming very popular, it is often determined by the designers and often not reflective of users’ needs. In this study, we explored user requirements for the design of a virtual musical instrument of the Malay bonang, an instrument found in the Malay gamelan ensemble. The requirements were elicited from a group of gamelan experts to establish the bonang playing techniques to be mapped to the virtual instrument which we called Air Bonang. Findings revealed that in designing the Air Bonang that is natural and expressive, the fundamental playing techniques of the bonang should be integrated into the system using mid-air interaction. In addition, exploratory techniques might also be integrated into the Air Bonang to leverage musical expression. The outcome of the study proposes design criteria that encompass three aspects of a natural Air Bonang, namely, embodiment, expressiveness, and feedback.

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