2018
DOI: 10.1177/1469540517747092
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Appetite for or resistance to consumption relationships? A trans-European perspective on the marketisation of football fan relationships

Abstract: Although most sport organisations are encouraged to better manage the relationships they maintain with fans, little is still known about the types of relationships that fans want to establish with sport organisations. Also, as most suggested management and marketing practices come from professional sport organisations and European contexts, it is questionable whether they can apply to all sports organisations, and whether they are received in the same way by diverse fans from various socio-cultural contexts. T… Show more

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Cited by 12 publications
(4 citation statements)
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“…president or brand ambassadors), and non-playing personnel associated with the brands are also found to be important (Ross et al, 2008). In line with the recent work of Bodet et al (2018), who emphasised the importance of sport organisations and their representatives on fan relationships, organisational identity and values have also been identified as an important factor (Couvelaere and Richelieu, 2005;Foster and Hyatt, 2008) that can also be related to satellite fans' local clubs when they perceive a close link between the values promoted by the foreign sport club and/or their fans, and their own local club and fans (McDougall, 2013). In this situation, attachment to a local club and its values or features (e.g.…”
Section: Fan Attraction To Foreign Sport Brandssupporting
confidence: 76%
“…president or brand ambassadors), and non-playing personnel associated with the brands are also found to be important (Ross et al, 2008). In line with the recent work of Bodet et al (2018), who emphasised the importance of sport organisations and their representatives on fan relationships, organisational identity and values have also been identified as an important factor (Couvelaere and Richelieu, 2005;Foster and Hyatt, 2008) that can also be related to satellite fans' local clubs when they perceive a close link between the values promoted by the foreign sport club and/or their fans, and their own local club and fans (McDougall, 2013). In this situation, attachment to a local club and its values or features (e.g.…”
Section: Fan Attraction To Foreign Sport Brandssupporting
confidence: 76%
“…Secondly, exploiting its brand can allow a team to position itself in relation to other sports clubs on the market, develop and strengthen fan loyalty, and generate additional revenue, which has become very important in the context of the salary boom in professional sports. One of the most recent developments is the implementation of experiential strategies whose objective is to stage the football match and boost "marketisation" (Bodet et al, 2018), as companies stage their brands to develop consumption relationships. To do this, the clubs seek to awaken the senses of the fans (consumers) by playing on music and sight, in other words, to produce atmospheres at the match (Edensor, 2015).…”
Section: "Marketisation" Perspectivementioning
confidence: 99%
“…community of fans), by producing and sharing videos on the Internet (Rahman, Wing-Sun, & Cheung, 2012). Thus, they establish relationships with the object of consumption (Bodet, Kenyon, & Ferrand, 2018) and often become spokespeople or brand lovers to the brands consumed by them (Castellano, Pinho, & Noronha, 2018). In addition, they show strong desire to create and engage to the fandom (Castellano, Pinho, & Noronha, 2018;Cristofari & Guitton, 2017;Fuschillo, 2020;Waysdorf & Reijnders, 2019).…”
Section: The Productive Consumption Of Pop Culturementioning
confidence: 99%
“…Thus, since the immaterial work of fans can add strong value to brands, they undergo repeated attempts to be controlled by them through the creation of brandomsi.e. brand-controlled fan communities (Bodet et al, 2018;Fresco, 2017;Guschwan, 2012). However, fan production results from their freedom of creating things based on the genuine love they feel for the products consumed by them, rather than for profit (Parker, 2019;Sugihartati, 2020).…”
Section: The Productive Consumption Of Pop Culturementioning
confidence: 99%