Wiley Encyclopedia of Operations Research and Management Science 2011
DOI: 10.1002/9780470400531.eorms0033
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Application of Operations Research In Amusement Park Industry

Abstract: In this article, a review of the application of operations research methods in the amusement park industry is provided. Although marketing and strategic management side of the theme park industry has been studied extensively, literature in the field of operations research is limited. Research focuses mainly on capacity management and revenue management; however, there are a few under‐researched but key areas that merit more attention. We identify those areas for future research.

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Cited by 3 publications
(6 citation statements)
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“…authenticity or novelty, Ebster and Guist, 2005, Gilmore and Pine, 2009, Muñoz et al, 2006, Wood and Muñoz, 2007, Gilmore and Pine, 2007, Ariffin, 2007, and (2) studies related to theming in a themed environment (e.g., Erb andOng, 2016, Agapito et al, 2014). Many scholarly studies use theme parks as their empirical setting (e.g., Pikkemaat and Schuckert, 2007, Davis, 1996, Milman, 2013, Yoshimoto, 1994, Yildirim, 2011, and commonly use Disney theme parks as their prime example (e.g., Meamber, 2011). Theming is central for design consideration when creating an experience.…”
Section: Theoretical Perspectivesmentioning
confidence: 99%
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“…authenticity or novelty, Ebster and Guist, 2005, Gilmore and Pine, 2009, Muñoz et al, 2006, Wood and Muñoz, 2007, Gilmore and Pine, 2007, Ariffin, 2007, and (2) studies related to theming in a themed environment (e.g., Erb andOng, 2016, Agapito et al, 2014). Many scholarly studies use theme parks as their empirical setting (e.g., Pikkemaat and Schuckert, 2007, Davis, 1996, Milman, 2013, Yoshimoto, 1994, Yildirim, 2011, and commonly use Disney theme parks as their prime example (e.g., Meamber, 2011). Theming is central for design consideration when creating an experience.…”
Section: Theoretical Perspectivesmentioning
confidence: 99%
“…Novelty seeking is a key motive that motivates travellers (Crompton, 1979, Dann, 1977. Thus, for instance, in the theme park industry, there are substantial capital investments in new experiences, new rides, and renovations (Lillestol et al, 2015, Clavé, 2007, Yildirim, 2011, amounting to approximately 10 percent of their yearly turnover (Cornelis, 2014). Lee and Crompton (1992) suggest four dimensions of the novelty construct in their Tourist Novelty Scale: (1) [change from] routine, (2) thrill, (3), boredom alleviation, and (4) surprise.…”
Section: Noveltymentioning
confidence: 99%
“…To attract repeat business, theme parks convince potential guests that previous visits are inferior to new experiences and improved parks, a notion theme parks often subscribe to (Braun and Soskin, 1999). In 2011, the construction of new rides and the renovation of existing rides was the largest capital investment by theme parks (Clavé, 2007;Yildirim, 2011). For profitable growth, companies strive for new sources of innovation and creativity (Chang et al, 2014;Prahalad and Ramaswamy, 2004).…”
Section: Figure 1 Modern Strategies In the Theme Park Industrymentioning
confidence: 99%
“…The theme park sector is different from traditional tourism outlets because it exists in a human-created, artificial environment, yet it is an increasingly competitive and attractive sector (Clavé, 2007;King, 1981;Mayer, 2002;Milman, 2010, Yildirim, 2011. The theme park sector represents a major component of the tourism industry in the USA (Liu, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…The amusement park differs from traditional tourist destinations as the former is a man-made artificial environment yet alluring and competitive (Claver-Cort es et al, 2007;Milman et al, 2010;Yildirim, 2011). The modern era of the development of amusement parks was initiated by Walt Disney with the opening of Disneyland in 1955 with various entertainment zones, rides and shows.…”
Section: Introductionmentioning
confidence: 99%