2018
DOI: 10.1007/978-3-319-92363-5_19
|View full text |Cite
|
Sign up to set email alerts
|

Application of Smart-Education Technologies in the Institutions of the Russian System of Additional Education of Children

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
2
1

Citation Types

0
6
0

Year Published

2019
2019
2023
2023

Publication Types

Select...
4
2
1

Relationship

1
6

Authors

Journals

citations
Cited by 8 publications
(6 citation statements)
references
References 4 publications
0
6
0
Order By: Relevance
“…Students went through all stages of the creative process: from finding an idea to creating the final creative product -a musical work. In order to develop the accuracy of vocal intonation, we used the Real Piano application [4], which provides instrumental sound support for playing a melody with voice, Smart [3] technology and the Vocalist Lite [5] application that clearly demonstrate intonational, acoustic matches or differences between voice performance and reference sound. For Chinese students, the development of the ability to comprehend the emotional-semantic expressiveness of musical intonation began with an introduction to speech methods of intonation.…”
Section: Research Resultsmentioning
confidence: 99%
“…Students went through all stages of the creative process: from finding an idea to creating the final creative product -a musical work. In order to develop the accuracy of vocal intonation, we used the Real Piano application [4], which provides instrumental sound support for playing a melody with voice, Smart [3] technology and the Vocalist Lite [5] application that clearly demonstrate intonational, acoustic matches or differences between voice performance and reference sound. For Chinese students, the development of the ability to comprehend the emotional-semantic expressiveness of musical intonation began with an introduction to speech methods of intonation.…”
Section: Research Resultsmentioning
confidence: 99%
“…At the same lessons, adolescents demonstrated rhythmic formulas developed by them, and, for greater effect, those who had good computer skills created 3D compositions that created the feeling of being at a concert (gig). This technique is currently actively used in teaching music to children and, in particular, when they perform choral operas (Konovalova et al, 2019) and in museum pedagogy (Gorlitz, 2018). Note that for students it was particularly interesting to use the "continue bit" technique when, after several cycles of performance, the beatbox composition was first a fellow practitioner and then a well-known beatboxer whose performance was taken from internet sites about beatbox.…”
Section: Methodsmentioning
confidence: 99%
“…Note that for students it was particularly interesting to use the "continue bit" technique when, after several cycles of performance, the beatbox composition was first a fellow practitioner and then a well-known beatboxer whose performance was taken from internet sites about beatbox. The teenager attentively listening to this composition, after it was stopped by another performer, began to continue and develop it (Konovalova et al, 2019).…”
Section: Methodsmentioning
confidence: 99%
“…Depending on the availability of various instruments, ensembles can be of different types -piano, stringed, accordion, vocal, in the system of additional school music education -an ensemble of drummers, spoon-makers, vocal-pop, etc. Today among the many tools that form the ensemble skills, stand out those that researchers [1,4] attribute to information technology. Unfortunately, the possibilities of these technologies are revealed in works examining the special forms of ensembles -vocal-choral or popinstrumental.…”
Section: Introductionmentioning
confidence: 99%