Archaism, the “Middle Age” and the Morality Play in Shakespearean Drama

Munro, Lucy

doi:10.1080/17450918.2012.731704

Shakespeare

2012

DOI: 10.1080/17450918.2012.731704

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Archaism, the “Middle Age” and the Morality Play in Shakespearean Drama

Lucy Munro

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2018

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“Disjoint and Out of Frame”:Hamletand the Problem of Synchrony

Schlegel

2018

Zeitschrift Für Anglistik Und Amerikanistik

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Hamlet stages problems of immanent synchrony that can be described as both motor and product of specific temporalities. By contemplating different timelines and even problematising the notion of linear time itself, Shakespeare’s tragedy illustrates that de/synchronisation relies on cultural techniques, which, in the context of the play, consist of the basic operations of calculating, representing, and commanding. At the same time, however, synchronisation proves to be inevitably recursive as it always already necessitates further operations. As this reading of Hamlet shows, the relevance of cultural techniques becomes apparent when it is understood as a heterogeneous arrangement in which technical-practical, aesthetic, symbolic, and political concepts interact.

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“Disjoint and Out of Frame”:Hamletand the Problem of Synchrony

Schlegel

2018

Zeitschrift Für Anglistik Und Amerikanistik

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show abstract

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Archaism, the “Middle Age” and the Morality Play in Shakespearean Drama

Cited by 1 publication

References 10 publications

“Disjoint and Out of Frame”:Hamletand the Problem of Synchrony

“Disjoint and Out of Frame”:Hamletand the Problem of Synchrony

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