2019
DOI: 10.1353/tech.2019.0064
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Archival Traces of Applied Research: Language Planning and Psychotechnics in Interwar Germany

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Cited by 5 publications
(3 citation statements)
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“…The four elements of music: melody, rhythm, harmony, and timbre, can be described in this section as an introduction to the perception of musical elements, which are also important clues to grasping the style of music in music analysis. The introduction of “pitch” includes melody and harmony, and there are many correlations between pitch and frequency [ 37 ]. With the development of cognitive psychology, the role of pitch, in addition to frequency, on the perception of music in a particular context, has been proposed, in which the potential perception of pitch relationships is not only related to the perceived information itself but also our experience, and some experiments have confirmed the existence of this multidimensional perception of pitch.…”
Section: Methodsmentioning
confidence: 99%
“…The four elements of music: melody, rhythm, harmony, and timbre, can be described in this section as an introduction to the perception of musical elements, which are also important clues to grasping the style of music in music analysis. The introduction of “pitch” includes melody and harmony, and there are many correlations between pitch and frequency [ 37 ]. With the development of cognitive psychology, the role of pitch, in addition to frequency, on the perception of music in a particular context, has been proposed, in which the potential perception of pitch relationships is not only related to the perceived information itself but also our experience, and some experiments have confirmed the existence of this multidimensional perception of pitch.…”
Section: Methodsmentioning
confidence: 99%
“…Genom att tillföra tidsmarkörer och skriftlig information kring talare kunde forskarna i de tidiga tyska dialektarkiven navigera ibland sina växande samlingar. 15 Annoteringen utgjorde en sorts metadata avant-la-lettre.…”
Section: Ljuddataunclassified
“…15 This argument offers parallels with the analysis provided by sound historian Victoria Thaczyk concerning the forced development of a standardised 'normal' media language in Germany in the interwar period, which was, as she shows, facilitated by the gramophone and designed 'to convey an impression of scientific objectivity' . 16 More pertinently for my argument, the Post Office's guidance makes it clear that the process of telephone transmission made speech less comprehensible for those with hearing loss, especially those with noise-or age-induced loss, for whom higher frequencies (the pitch at which the information delivering consonants is delivered) were lost. 17 The Post Office clearly understood the difficulties of using the telephone.…”
mentioning
confidence: 99%