Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part III

Silverman, Debora L.

doi:10.1086/670975

Cited by 4 publications

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“…3.On the visual culture of colonialism of other European countries see Porterfield 1998; Barringer, Quilley and Fordham 2007; Porterfield and Siegfried 2006; Murphy et al 2012; Benson Miller 2008; Ciarlo 2011; Silverman 2011; Silverman 2012; Silverman 2013; Jarrassé and Houssais 2015; Peabody, Nelson and Thomas 2021.…”

Section: Notesmentioning

confidence: 99%

Introduction: Critical issues in the study of visual and material culture of Italian colonialism

Belmonte

Cecchini

2022

Mod. Italy

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In this special issue of Modern Italy, four early-career scholars examine how the study of objects and images rooted in Fascist imperialist history enables a sustained interrogation of Italy's colonial imaginary. Their articles explore the diverse possibilities offered by the study of visual and material culture for scholars of imperialism, as it is precisely this realm of visual and material culture that emerges as a site of negotiation in which different individuals and constituencies contended with the regime's ideology.

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Section: Notesmentioning

confidence: 99%

Introduction: Critical issues in the study of visual and material culture of Italian colonialism

Belmonte

Cecchini

2022

Mod. Italy

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Boundaries: Bourgeois Belgium and “Tentacular” Modernism

Silverman

2017

Mod. Intell. Hist.

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The sweep, originality, and plenitude of Jerrold Seigel's work have transformed our field. His prolific and creative scholarship encompasses the history of ideas, the history of cultural forms, and the history of intellectuals, areas typically examined separately as coherent and discrete sections of intellectual history. I have been reading Seigel for many years now, assigned his texts in my classes, and watched students come alive as they encounter his Marx, his Bohemia, his Baudelaire, his Foucault, his Simmel. My own research and writing have been deeply influenced by key ideas generated in Seigel's body of work, testing and contesting, for example, his project of historicizing subjectivity and identity in modern Europe.

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The Afterlife of a Colonial Photographic Archive: The Subjective Legacy of InforCongo

Colard

2018

Critical Interventions

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Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part III

Cited by 4 publications

References 0 publications

Introduction: Critical issues in the study of visual and material culture of Italian colonialism

Introduction: Critical issues in the study of visual and material culture of Italian colonialism

Boundaries: Bourgeois Belgium and “Tentacular” Modernism

The Afterlife of a Colonial Photographic Archive: The Subjective Legacy of InforCongo

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