Arthur Schopenhauer's Quest of Musical Repertory, Arhythmia and Willingness

Abstract

The purpose of this research paper is to explore the extent of Arthur Schopenhauer's thoughts in seeing and penetrating ideas, desires, preferences, and plausibility through distancing, colliding, and giving meaning when he encounters music, social issues, and multi-disciplines without losing the self-image of music. Qualitative research with data search on previous writings through journals as a secondary source became a room to argue Arthur Schopenhauer's thoughts with intelligence, non-simplification of something complex and enjoy without the need for validation. Results show that the objectivation of the will as Arthur Schopenhauer's central idea leads to visual space in the frame of images, songs, lyrics, narratives, processes, and struggles as the essence of music that permeates and boils down to reflection and asceticism.

Henri Louis Frédéric de Saussure's Linguistic-Semiotics and Nganan Firasat's Rhetoric

“…Although the term may have negative connotations (as it implies danger), Nganan Firasat is actually divided into three parts: Buseng, which involves staying away from rivers as crocodiles typically inhabit them, and two other parts which are not mentioned in the original text. The language used is clear, objective, and value-neutral, with a formal register and precise word choice (Alpida et al, 2023;Amisani et al, 2023;Darma, Jonathan, Timotius, Sintalegawa, & Wirawan, 2023;Munte & Wirawan, 2022;Tirayoh et al, 2023;Wirawan, 2021). The text adheres to conventional structure and formatting features, with consistent citation and footnote style.…”

Art and Philosophy: Harmony of Giring-Giring Dance, Manganjan Dance, Tambun Bungai Dance of Kalimantan Tengah

“…Not only that, even other religions, even non-diverse religions, have this nature (Andiny, 2020(Andiny, , 2023Angellyna, 2021;Colina, 2015Colina, , 2016Colina, , 2021Dandung et al, 2022;Darma et al, 2023;Fitriana et al, 2023;Hasan et al, 2023;Magdalena et al, 2022;Malau, 2021Manik et al, 2023;Munte, 2017Munte, , 2018aMunte, , 2018bMunte, , 2022cMunte, , 2022aMunte, , 2023aMunte, Natalia, et al, 2023;Munte, Saputra, et al, 2023;Munte & Korsina, 2022;Munte & Natalia, 2022;Munte & Wirawan, 2022;Peryanto et al, 2023;Riska et al, 2023;Sepniwati, 2022;G. Sinta et al, 2023;Teriasi et al, 2022;Timan Herdi Ginting et al, 2022;Tirayoh et al, 2023; Widyasari, 2021;Wirawan, 2021;Wirawan et al, 2023).…”