Artomics: A holistic approach to the study of artworks integrating their compositional and formal characteristics. Application on the Liber Feudorum Maior

Magkanas, G.; Bagán, H.; Sistach, M.C.; Garcı́a, J.F.

doi:10.1016/j.microc.2022.108276

Cited by 3 publications

(1 citation statement)

References 29 publications

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“…This method focuses on the interpretation and understanding of literary works through context, history, cultural factors and author's intentions. (Magkanas et al 2023) We applied here the imagery analysis which discloses the ideological and philosophical context of the novel (Berdnikova, Guschina 2017:45) Imagery Analysis: The next step was to examine the use of imagery, including sensory details and vivid descriptions that appeal to the senses. Analyzing how imagery enhances the reader's understanding and emotional connection to the text helps to focus on the most meaningful passages that excite the reader and build a personal connection with the text.…”

Section: Hermeneutic Methodsmentioning

confidence: 99%

Exploring Authenticity and Meaning in Art: an Analysis of Expressive Means and Stylistic Devices in “Headlong”, Novel by Michael Frayn

Kudritskaya

2023

Nizhnevartovsk Philological Bulletin

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The subject of research is the novel “Headlong” by Michael Fraine, published in 1999. The purpose of the study is to study the concepts of authenticity and meaning in art, presented by the author through an analysis of expressive means and stylistic techniques in this novel. The methods used to obtain results include a formal method, a hermeneutic method, psychological and existential methods, and an applied method, since the study was conducted during the teaching of an extensive reading course for students of the 4th year of the Foreign language: two foreign languages specialty. Michael Fraine's “Headlong” offers a thought-provoking exploration of authenticity and meaning not only in art, but also in real life of both the fiction character and the reader. Through the protagonist's quest for a lost painting, the novel challenges conventional notions of authenticity, emphasizing the subjective nature of perception and interpretation. Frayn underscores the role of context in shaping the meaning of art and highlights the complex interplay between art and society. Ultimately, “Headlong” invites readers to reflect on the intricate relationship between authenticity, meaning, and the ever-evolving nature of art. This essay explores how Frayn's skillful use of language, narrative structure, and character development enhances the exploration of authenticity and meaning in art, shedding light on the complex interplay between perception, interpretation, and the subjective nature of artistic value. The obtained results are of applied character, since they can be used for inclusion in educational syllabi in the English language and Literature of Great Britain, or used to illustrate events in art circles or courses and/or to organize extracurricular events, such as debates about the role of art or about the boundaries between reality and perception.

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Section: Hermeneutic Methodsmentioning

confidence: 99%

Exploring Authenticity and Meaning in Art: an Analysis of Expressive Means and Stylistic Devices in “Headlong”, Novel by Michael Frayn

Kudritskaya

2023

Nizhnevartovsk Philological Bulletin

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The Portrait of Elisabeth Braderic by Pieter Cristus: A Holistic Multidisciplinary Study

Verheyen,

Lainé,

Vandenabeele

2024

Studies in Conservation

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A multi-disciplinary analysis of the Portrait of Philip the Good in Dijon

Verheyen,

Buti,

Cartechini

et al. 2024

Herit Sci

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One of the finest fifteenth-century portraits of the Burgundian Duke Philip the Good resides in the Musée des Beaux-Arts in Dijon. This small yet exceptionally crafted panel holds significance for both historians and art historians alike. Surprisingly, prior to this study, the context, the dating and the authorship of the piece remained obscure, and the widely circulated hypothesis of it being “a copy of a lost portrait by Rogier van der Weyden” has never been corroborated by convincing arguments. Clarifying the context, dating and authorship of the painting were the primary objectives of the investigations discussed in the article. Therefore, this painting underwent a multidisciplinary investigation spanning both the positive and human sciences. Macro-XRF scans were conducted alongside hyperspectral reflectance scans, multispectral imaging in the visible and infrared range, and optical coherence tomography. These analyses were complemented by an art historical study. As a result, a precise delineation between authentic and retouched sections was achieved. This article does not merely present the various perspectives separately but constructs a coherent narrative based on all these foundations. This holistic multidisciplinary research methodology produced a clear account, albeit with some scope for future inquiry. The involvement of the painter Pieter Cristus was conclusively demonstrated. This painter, whether himself personally, an assistant in the workshop or a contemporary follower, is attributed to the genesis of this work, which is presumed to be not the original portrait but a contemporaneous copy, possibly commissioned by the Burgundian Duke himself. While we no longer remain in the dark and have lifted some veils, this study also paves the way for further investigation into this panel and the numerous other portraits of Philip the Good.

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Artomics: A holistic approach to the study of artworks integrating their compositional and formal characteristics. Application on the Liber Feudorum Maior

Cited by 3 publications

References 29 publications

Exploring Authenticity and Meaning in Art: an Analysis of Expressive Means and Stylistic Devices in “Headlong”, Novel by Michael Frayn

Exploring Authenticity and Meaning in Art: an Analysis of Expressive Means and Stylistic Devices in “Headlong”, Novel by Michael Frayn

The Portrait of Elisabeth Braderic by Pieter Cristus: A Holistic Multidisciplinary Study

A multi-disciplinary analysis of the Portrait of Philip the Good in Dijon

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