Aspekte juveniler Vergemeinschaftung

Hitzler, Ronald; Niederbacher, Arne

doi:10.1007/978-3-531-92532-5_4

Cited by 27 publications

(12 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…In general, the German hip-hop scene has preceded the formation of a reggae scene and has a much greater following (cf. Hitzler and Niederbacher 2010, pp. 84–9).…”

Section: Reggae and Youth Scenes In 1990s And 2000s Germanymentioning

confidence: 99%

“…Cultural sociologists Ronald Hitzler et al . developed the concept of ‘youth scenes’ as post-traditional, rather loose networks of youth communitarisation (Hitzler et al 2001; Hitzler and Niederbacher 2010). In their studies, they observed a broad diversification of contemporary youth scenes in Germany that formed around various thematic focusses, e.g.…”

mentioning

confidence: 99%

“…Following the concept of youth scenes (Hitzler and Niederbacher 2010), the reggae and dancehall scene is understood to be a rather small and loose cultural network of strongly individualised youths who have common interests in reggae and dancehall music. According to Hitzler and Niederbacher, the members of a youth scene in general share certain material and mental forms of collective self-stylisation as well as characteristic attitudes, symbols and rituals that they further develop interactively at certain meeting places like festivals, club nights or other events, as well as within the media like fanzines, special interest magazines and internet websites.…”

mentioning

confidence: 99%

See 2 more Smart Citations

Soul rebels and dubby conquerors. Reggae and dancehall music in Germany in the 1990s and early 2000s

Pfleiderer¹

2017

Pop. Mus.

View full text Add to dashboard Cite

In the 1990s, a vibrant reggae and dancehall scene emerged in several German cities, and in the early 2000s songs of reggae artists such as Gentleman, Seeed or Jan Delay rose to the top of the German pop charts. In this article, the German reggae scene of this time is depicted in respect to its formation, infrastructure, transnational relationships and sub-genres, and is related to general social and cultural developments in reunited Germany, e.g. a new national self-consciousness, tendencies towards a multi-ethnic society and new kinds of youth scenes. These findings are illustrated by a close reading of two songs from the seminal albums Searching for the Jan Soul Rebels by Jan Delay and New Dubby Conquerors by Seeed, both released in 2001. While Jan Delay's lyrics reflect the singer's commitment to the antifascist youth scene, Seeed celebrates a hedonistic lifestyle in the new capital Berlin.

show abstract

“…In general, the German hip-hop scene has preceded the formation of a reggae scene and has a much greater following (cf. Hitzler and Niederbacher 2010, pp. 84–9).…”

Section: Reggae and Youth Scenes In 1990s And 2000s Germanymentioning

confidence: 99%

mentioning

confidence: 99%

mentioning

confidence: 99%

See 1 more Smart Citation

Soul rebels and dubby conquerors. Reggae and dancehall music in Germany in the 1990s and early 2000s

Pfleiderer¹

2017

Pop. Mus.

View full text Add to dashboard Cite

show abstract

“…A comparison of the maker, quantified-self and open data movements shows up extraordinary parallels: they all originated in the San Francisco Bay Area; they were initiated by a relatively small ‘organisational elite’ (Hitzler and Niederbacher, 2010); they spread relatively quickly through Europe, both transnationally and transculturally, the most important European centres being Amsterdam for The Netherlands, Berlin for Germany, and London for the United Kingdom; and they understand media technology as a key instrument facilitating ‘new’ and ‘better’ forms of collectivity (p. 22). In brief, in their different ways, all three share a belief in the possibility of a productive change of culture and society through digital media, and are dedicated to promoting such change.…”

Section: A Preliminary Conceptualisation Of Media-related Pioneer Commentioning

confidence: 99%

Pioneer communities: collective actors in deep mediatisation

Hepp

2016

Media, Culture & Society

View full text Add to dashboard Cite

The aim of this article is to draw attention to the phenomenon of media-related pioneer communities. The maker, quantified-self and open data movements have made clear how much an analysis of such pioneer communities can contribute to our understanding of changes in media and communication, together with related social and cultural changes. Pioneer communities do not only possess a marked sense of mission; they also develop ideas of media-related change that can provide orientation for broader social discourses. Studying pioneer communities as intermediaries between the development and the appropriation of new media technologies permits us to grasp current mediatisation processes from the actor’s point of view without the need to first ascribe to them any unifying media logic. Pioneer communities are significant collective actors in the process of ‘deep mediatisation’ – the far-reaching entanglement of media technologies with the everyday practices of our social world.

show abstract

“…Youth scenes are cultural entities, essentially characterized by common aesthetic standards while exhibiting a commitment to shared ideas and ideals (Hitzler & Niederbacher, 2010;Bennett & Kahn-Harris, 2004;Driver & Bennett, 2015;Torkelson, 2022). While affiliation is voluntary, it is not self-evident.…”

Section: Introduction: Gender and Sexualities In Post-traditional Aff...mentioning

confidence: 99%

Queering Gender Boundaries and Redoing Heteroamorous Desire: Youth Scenes As a Social Field for (Re-)Negotiating Gender Arrangements and Sexuality

Kirchner,

Wustmann,

Meuser

et al. 2023

YOUNG

View full text Add to dashboard Cite

In Second Modernity, traditional affiliations, ideals and norms continuously are becoming less important. Among the things affected by that are gender norms and sexualities, so that the reflexive self now has the task of relating to these transformations. Based on scene ethnographies (interviews, group discussions, participant observations), this article examines how the (youth) scenes Visual Kei and K-pop serve as social fields to challenge traditional societal norms of gender and heterosexuality. Gender-neutral ideals and gender-differentiating norms coexist in Visual Kei; heteroamorous fantasies coexist with various sexual realities in K-pop. In both scenes, the scene-specific gender displays also significantly influence the sexual displays. Scene members embrace a great diversity of sexual orientations, thereby applying cultural globalization and socially constructing post-traditional forms of gender arrangements and sexualities that intertwine ‘Western’ as well as ‘Asian’ practices and aesthetics.

show abstract

Aspekte juveniler Vergemeinschaftung

Cited by 27 publications

References 0 publications

Soul rebels and dubby conquerors. Reggae and dancehall music in Germany in the 1990s and early 2000s

Soul rebels and dubby conquerors. Reggae and dancehall music in Germany in the 1990s and early 2000s

Pioneer communities: collective actors in deep mediatisation

Queering Gender Boundaries and Redoing Heteroamorous Desire: Youth Scenes As a Social Field for (Re-)Negotiating Gender Arrangements and Sexuality

Contact Info

Product

Resources

About