2019
DOI: 10.1080/10598650.2019.1675940
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“At Variance with Accepted Practice:” Antiracist Pedagogies within the Jewish History Museum

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Cited by 1 publication
(4 citation statements)
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“…Spalding (2011) found that giving voice to students' own assumptions and prejudices (in this case about 'African history'), provided an opportunity into challenging these assumptions, through concrete questions asked by the instructor that built upon students' answers. Descriptive studies align with this empirical finding, describing how designed instructional practices centre around challenging so-called 'entrance narratives', upon which learner-instructor interaction can be built in order to build deeper historical understanding (Davis & Goldberg, 2019;Grim et al, 2017;Munn & Wickens, 2018). These examples show how learner-instructor dynamics can also meet the challenges related to historical empathy addressed earlier, regarding the necessary balance between cognitive and affective goals.…”
Section: Category 2 Instructional Methods: Between Student-and Teache...mentioning
confidence: 66%
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“…Spalding (2011) found that giving voice to students' own assumptions and prejudices (in this case about 'African history'), provided an opportunity into challenging these assumptions, through concrete questions asked by the instructor that built upon students' answers. Descriptive studies align with this empirical finding, describing how designed instructional practices centre around challenging so-called 'entrance narratives', upon which learner-instructor interaction can be built in order to build deeper historical understanding (Davis & Goldberg, 2019;Grim et al, 2017;Munn & Wickens, 2018). These examples show how learner-instructor dynamics can also meet the challenges related to historical empathy addressed earlier, regarding the necessary balance between cognitive and affective goals.…”
Section: Category 2 Instructional Methods: Between Student-and Teache...mentioning
confidence: 66%
“…through encouraging them to consider the role of museums within larger political or societal debates) (Marcus, 2007); (2) describing more general principles behind the pedagogical approaches of particular history museums related to sensitive topics such as the Holocaust, slavery or creole history (e.g. a focus on polyvocality, inclusivity or personal stories) (Brand, 2013;Davis & Goldberg, 2019;Grim et al, 2017;Harrison-Buck & Clarke-Vivier, 2020) or (3) describing the design of concrete resources to facilitate instruction in a museum, e.g. an educational role play that features life at an abbey in the Middle Ages, the use of 'museum footnotes' or a workshop that aimed to foster students' skills to analyse historical artworks (Leftwich & McAllen, 2018;Marcus & Kowitt, 2016;Moisan, 2015;Munn & Wickens, 2018;Paulsen, 2019).…”
Section: Category 1: Focus On Instructional Practicesmentioning
confidence: 99%
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