2008
DOI: 10.1080/10641734.2008.10505244
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Attention for Open and Closed Advertisements

Abstract: Endnote 1 Unfortunately our data did not permit us to calculate fixation durations in early versus late stages of the attention for the ad. Such an analysis would have been a more direct test of the hypothesis that later stages of processing are characterized by longer fixation durations.

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Cited by 24 publications
(28 citation statements)
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“…• • • Attitudes resulting from effortful self-generated conclusions should be more positive than attitudes resulting from less effortful processing of conclusions explicitly provided in a message and more accessible and persistent over time." The theory of implicit conclusions was empirically supported [25], [26] and extended from wider viewpoints such as attention for visual material [27] and missing attributes [28].…”
Section: B Cognitive Hypothesesmentioning
confidence: 77%
“…• • • Attitudes resulting from effortful self-generated conclusions should be more positive than attitudes resulting from less effortful processing of conclusions explicitly provided in a message and more accessible and persistent over time." The theory of implicit conclusions was empirically supported [25], [26] and extended from wider viewpoints such as attention for visual material [27] and missing attributes [28].…”
Section: B Cognitive Hypothesesmentioning
confidence: 77%
“…In addition, advertisements that contain metaphors are examples of open advertisements (Ketelaar, Van Gisbergen, Bosman, & Beentjes, 2008), defined as ads that do not guide consumers toward a specific interpretation and require more effort to comprehend than traditional ads.…”
Section: Effect Of Metaphor Figurativeness On Adoption Intentions Toward Inss and Rnssmentioning
confidence: 99%
“…In contrast to “standard advertisements,” creative advertisements encapsulate “distinctiveness” or “difference” (Koslow, 2015) and involve something that is “fresh” and “meaningful” to the audience (Smith et al, 2008). Several terms have been used to describe creative advertisements, that is, mystery (Elsen et al, 2016), indirect (McQuarrie & Phillips, 2005), open (Ketelaar et al, 2008, 2010), and implicit (Radach et al, 2003; van Mulken et al, 2005); creative advertisements also usually present the relationship between the advertisement elements in a creative and indirect manner in contrast to advertisements that show the elements in direct relation to the product being advertised (Higgins et al, 2014; see also Simola et al, 2020).…”
Section: Introductionmentioning
confidence: 99%