Audiovisuality of the Third Degree: Reality or Fantasy?

Miczka, Tadeusz

doi:10.1007/978-3-319-47164-8_6

Cited by 2 publications

(2 citation statements)

References 2 publications

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“…Creative spaces of meeting cultures are also new ways of communicating and conveying information about significant places [40,41]. The physical experience of space can be contrasted with the way of experiencing its symbolic meaning [42,43]. Locating events in urban space is not only about adapting it to specific performances.…”

Section: From Deviation To Creativitymentioning

confidence: 99%

Urban Creative Sustainability: The Case of Lublin

Betlej

Kačerauskas

2021

Sustainability

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The proposed research aims to investigate the concept of creative urban sustainability. We asked, what are the factors conditioning creativity in spaces where cultures meet in cities and how do they stimulate urban sustainable development. The empirical material analysed are the results of interviews conducted with cultural managers. We introduce philosophical and sociological approaches based mainly on criticism of writing and the analytical and synthetic method. In the framework of the creative city we illustrate Lublin’s model of spatial innovations, in which culture and creativity have convergence with economic development. We conclude with a conceptual discussion of the creative urban sustainability problems. In particular, we reveal how these issues could help in shaping a theoretic consensus about the function of spaces planning in sustainable development strategies emphasising the importance of creativity as a social resource and also as an agent of social and economic change.

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Section: From Deviation To Creativitymentioning

confidence: 99%

Urban Creative Sustainability: The Case of Lublin

Betlej

Kačerauskas

2021

Sustainability

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“…Podczas omawiania przemian mimesis wymieniam trzy kategorie audiowizualności: pierwszy stopień audiowizualności, który jest oparty na konwencjach fi lmowych oscylujących między naśladownictwem a kreacją, drugi stopień audiowizualności, który jest oparty na konwencjach telewizyjnych oscylujących między reżyserowanym przekazem a istniejącą rzeczywistością, oraz trzeci poziom audiowizualności, który opiera się na multimedialnych wirtualizacjach oscylujących między różnymi formami pogrążenia się i sygnalizowania symulacji sztucznych "rzeczywistości" (Miczka 2017). …”

Section: Potrzeba Transformacji Wiedzy: Nauka -Mediaunclassified

Multimodalność mediów w czasach audiowizualności a błędy w komunikowaniu

2017

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The multimodality of audiovisuality vs. projection error in communicationThe pape r analyzes the semantic complexity of such concepts as modality, multimodality and audiovisuality, as well as their intricate effects on media communication errors. The author shows the link between the lack of perceptual abilities of people and the errors made in their work. In addition, he distinguishes and terms the most important communication errors. He also indicates how they can be avoided by knowingly adapting one's own abilities to the tasks: both planned and performed.

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Audiovisuality of the Third Degree: Reality or Fantasy?

Cited by 2 publications

References 2 publications

Urban Creative Sustainability: The Case of Lublin

Urban Creative Sustainability: The Case of Lublin

Multimodalność mediów w czasach audiowizualności a błędy w komunikowaniu

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