Augmented virtuality: emerging processes, art and digital media

Osio, Umberto Roncoroni; Rastelli, Verónica Crousse

doi:10.7238/a.v0i17.2743

Cited by 2 publications

(2 citation statements)

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“…These are good reasons to develop shape grammars ) and generative algorithms as a valid alternative (McCormack, 2004), for their simplicity, creative power (Prusinkiewicz & Lindenmayer, 1990;Pestana, 2011) and because they offer the possibility to simulate natural phenomena and local artistic traditions, like ethno computation (Varma, 2006;Roncoroni & Crousse, 2016), intuitively and without black boxes (Alfieri, 2005;Colton, 2008). In this paper I will concentrate attention on software development, visual analysis and artistic practice results.…”

Section: Introductionmentioning

confidence: 99%

SIGraDi 2022. Critical Appropriations

Z.¹

2023

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SIGraDi 2022. Critical Appropriations es la XXVI Conferencia Internacional de la Sociedad Iberoamericana de Gráfica Digital, organizada por la Facultad de Arquitectura de la Universidad Peruana de Ciencias Aplicadas (UPC) y SIGraDi. Este volumen contiene los artículos seleccionados por el comité científico de SIGraDi, los cuales fueron presentados en línea entre el 9 y 11 de noviembre de 2022, además, a partir de estos trabajos se desarrollaron10 talleres y un taller para doctorandos. SIGraDi 2022. Apropiaciones Críticas se organizó en 7 tópicos y 30 subtópicos, como culturas de la programación, robótica y fabricación digital, BIM, diseño bio inspirado, educación digital. Una publicación de difusión e intercambio de ideas sobre Arquitectura, Diseño, Arte y disciplinas asociadas.

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Section: Introductionmentioning

confidence: 99%

SIGraDi 2022. Critical Appropriations

Z.¹

2023

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“…These are good reasons to develop shape grammars (Stiny & Gips, 1972) and generative algorithms as a valid alternative (McCormack, 2004), for their simplicity, creative power (Prusinkiewicz & Lindenmayer, 1990;Pestana, 2011) and because they offer the possibility to simulate natural phenomena and local artistic traditions, like ethno computation (Varma, 2006;Roncoroni & Crousse, 2016), intuitively and without black boxes (Alfieri, 2005;Colton, 2008). In this paper I will concentrate attention on software development, visual analysis and artistic practice results.…”

Section: Introductionmentioning

confidence: 99%

Programming complex 3D meshes. A generative approach based on shape grammars.

Roncoroni¹

2023

Blucher Design Proceedings

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This article summarizes the results of art based research developed thanks to a grant by the PUCP University of Lima in 2021-2022. An open source generative solution will be described, based on generative grammars, to create very complex and programmable 3D meshes. Analyzing hundreds of models generated with these algorithms, a solution was found based on the idea of "intelligent meshes", which change their behavior during the modeling process. This is done using tags, or vertices identifiers, that, like genes, describe the topological characteristics of each vertex and its generative development during the process. Tags can be programmed interactively editing its data with tools provided by the interface or using generative grammars that allow an incredible variety of complex forms and stimulate the user creativity. The research findings also elucidate some important conceptual issues, like the importance of original technology development to defend cultural identity.

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Augmented virtuality: emerging processes, art and digital media

Cited by 2 publications

References 1 publication

SIGraDi 2022. Critical Appropriations

SIGraDi 2022. Critical Appropriations

Programming complex 3D meshes. A generative approach based on shape grammars.

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