August Wilson

Elam, Harry J.

doi:10.1002/9780470996805.ch20

Cited by 1 publication

(1 citation statement)

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

“…She has attained power through her music. Elam asserts: "Ma will not be objectified; instead, she uses her position as a desired musical commodity to legitimize her authority" [20]. As the conversation continues, it is clear that "Sturdyvant finds Rainey's personality and behavior unacceptable and totally inappropriate given the customary societal norms that dictate how a black woman should address a white man" [12].…”

Section: Music As Ma Rainey's Powermentioning

confidence: 99%

A New Historicist Reading of August Wilson's Ma Rainey's Black Bottom

Sepehrmanesh¹

2015

IJLLL

View full text Add to dashboard Cite

Abstract-The interaction of history and literature has been always an important subject among literary scholars. One of the newest approaches in the field of literary criticism which emerged about three decades ago is New Historicism. In this almost new way of analysis, not only history affects literature, but also literature could be effective in understanding history and thus the relationship between history and literature is reciprocal. The present paper is an attempt to find traces of new historicism in August Wilson's Ma Rainey's Black Bottom by the help of the theories and ideas given by new historicist thinkers such as Stephen Greenblatt, and Michael Foucault. To achieve this end, a methodical investigation of the plays through the lens of new historicism has been conducted. As for the Foucauldian basis of new historicism, his ideas about distribution of power by a certain medium which he calls discourse in a culture is discussed in a way that power circulates knowledge in a specific context and this facts helps to prove the reciprocity of the relation between history and literature. It is shown that the margins of the society, the blacks, have their own discourse as the whites do. There are subversive voices, who resist the dominant culture through which they open a space for the other black men to show up themselves. Power as a social energy does not just belong to the whites who have the imposing discourse but the blacks have their own power too, though being at the margins, through which they resist the governing culture.

show abstract

Section: Music As Ma Rainey's Powermentioning

confidence: 99%

A New Historicist Reading of August Wilson's Ma Rainey's Black Bottom

Sepehrmanesh¹

2015

IJLLL

View full text Add to dashboard Cite

show abstract

August Wilson

Cited by 1 publication

References 1 publication

A New Historicist Reading of August Wilson's Ma Rainey's Black Bottom

A New Historicist Reading of August Wilson's Ma Rainey's Black Bottom

Contact Info

Product

Resources

About