The Routledge Companion to Latina/O Media 2016
DOI: 10.4324/9781315858005-2
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Authenticity, Appropriation, Articulation

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Cited by 5 publications
(4 citation statements)
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“…Our data reveal that the majority of protagonists come from 17 Latin American countries, and in some publications, protagonists represent up to 11 different Latin American nationalities. These media contribute to the unity of Latinos of very diverse countries since they all share the informative contents analyzed in this paper under the common umbrella of Latinidad (Dávila, 2000;Del Río, 2017;González-Veléz, 2002;Suárez Navaz & Ferrández Ferrer, 2012).…”
Section: Discussion Of the Resultsmentioning
confidence: 90%
See 1 more Smart Citation
“…Our data reveal that the majority of protagonists come from 17 Latin American countries, and in some publications, protagonists represent up to 11 different Latin American nationalities. These media contribute to the unity of Latinos of very diverse countries since they all share the informative contents analyzed in this paper under the common umbrella of Latinidad (Dávila, 2000;Del Río, 2017;González-Veléz, 2002;Suárez Navaz & Ferrández Ferrer, 2012).…”
Section: Discussion Of the Resultsmentioning
confidence: 90%
“…Latinos have visibility as the protagonists of the prevalent themes of Latino culture, society and politics in the contents of Latino publications in Spain. The diversity of the Latin American countries which Latino protagonists come from proves their heterogeneous nature and vast national, regional and ethnic differences (Del Río, 2017), despite the public discourse that implements pan-ethnic labels such as Latino, Hispanic, or Latinoamericano (Retis, 2019). The third hypothesis is grounded on the diversity of the Latino media protagonists.…”
Section: Identity Orientations Of Latino Print Media In Spainmentioning
confidence: 99%
“…For more see: Vidal-Ortiz and Martínez (2018). For Latinidades see: Aparicio (2017), Del Río (2017).…”
mentioning
confidence: 99%
“…Latina/o media studies amplify the interdisciplinary nature of media analysis in general and disrupt the traditional Black/ White binary that continues to define approaches to racial difference. Within this context, the work has demonstrated the potential to reconceptualize production, text, and audience as a way to unpack the heterogeneity and radical hybridity of Latina/o subjectivity contained in representation (del R ıo, 2017;Valdivia, 2003).…”
mentioning
confidence: 99%