2014
DOI: 10.1007/978-3-319-07353-8_17
|View full text |Cite
|
Sign up to set email alerts
|

Automatic Synthesis of Notes Based on Carnatic Music Raga Characteristics

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2

Citation Types

0
2
0

Year Published

2018
2018
2024
2024

Publication Types

Select...
3
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(2 citation statements)
references
References 1 publication
0
2
0
Order By: Relevance
“…To the best of our knowledge, all the existing works on gamaka analysis focus on acoustic data for this task [8]- [12]. Other works done on Indian Classical Music (ICM) such as automatic music composition, singing voice synthesis and rāga analysis do not address the problem of predicting gamakas from symbolic music [13]- [25]. In Western music, the studies performed on detection and analysis of ornamentations as well as expressive music performance use audio data for these tasks [26]- [28].…”
Section: Introductionmentioning
confidence: 99%
“…To the best of our knowledge, all the existing works on gamaka analysis focus on acoustic data for this task [8]- [12]. Other works done on Indian Classical Music (ICM) such as automatic music composition, singing voice synthesis and rāga analysis do not address the problem of predicting gamakas from symbolic music [13]- [25]. In Western music, the studies performed on detection and analysis of ornamentations as well as expressive music performance use audio data for these tasks [26]- [28].…”
Section: Introductionmentioning
confidence: 99%
“…In the context of Indian Classical Music, multiple works have addressed gamaka identification from raw audio signal [12,13]. Other research efforts on the automatic music composition [14,15,16,17] and singing voice synthesis [18] for Indian Classical Music do not address the problem of predicting gamakas from the score files.…”
Section: Introductionmentioning
confidence: 99%